Grateful Dead
Jun 27, 1985 at Saratoga Performing Arts Center
Saratoga Springs, NYSummer 1985 East Coast
Setlist via JerryBase
Set 1
Midnight Hour > Bertha > Little Red Rooster, Stagger Lee > El Paso > Crazy Fingers1 > Supplication2 > High Time, Hell In A Bucket > Don't Ease Me In
Writeups
None available yet
Related videos
None available yet
Tapes
- SBDDATStream OnlyTaper unknownAmy's Soundboard VHS > Cassette > DAT> CDRListenArchive.orgRelistenetree6104
- SBDDATStream OnlyTaper unknownDat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie MillerListenArchive.orgRelistenetree27863TransferCharlie Miller
- SBDDATTaper unknownDAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLACListenArchive.orgRelistenetree79382TransferC.Ladner
- AUDDAT (Reel)Front of BoardFront of BoardTaper unknownFOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT)ListenArchive.orgRelistenetree7006
- Source unknownPCMTaper unknownMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > FlacListenArchive.orgRelistenetree25000TransferDoug Oade - Darren Sacks
- MatrixStream OnlyTaper unknownPainoman's Master Analog Cassettes > Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac AUD 2ListenArchive.orgRelistenetree92963TransferHunter Seamons
- MatrixStream OnlyTaper unknownSee NotesListenArchive.orgRelistenetree92645TransferHunter Seamons
- Source unknownD5MTaper unknownNak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16ListenArchive.orgRelistenetree79597TransferTony Suraci
- SBDPCMStream OnlyTaper unknownPlayback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II.ListenArchive.orgRelistenetree79558TransferChris Ladner
- Source unknownD5Taper unknownMAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex FordListenArchive.orgRelistenetree135270TransferAlex Ford
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)ListenArchive.orgRelistenetree106788TransferBob Morris
- Source unknownD5MTaper unknownSony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac filesListenArchive.orgRelistenetree121563TransferD5scott
- AUDTaper unknownMAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg HoltzListenArchive.orgRelistenetree112499TransferGreg Holtz
- Source unknownCassetteTaper unknownNakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24ListenArchive.orgRelistenetree114489
- Source unknownD5Taper unknownMAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex FordListenArchive.orgRelistenetree135268TransferAlex Ford
- Source unknownPCMTaper unknownsource: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bitListenArchive.orgRelistenetree126238Transferchasingwilma
- AUDD5MTaper unknownTransfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24ListenArchive.orgRelistenetree145345TransferSirmick and Charlie Miller
- Source unknownD5MTaper unknownTransfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLACListenArchive.orgRelistenetree152627TransferKyle Holbrook
- AUDD5MTaper unknownSource: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018ListenArchive.orgRelistenetree141598TransferCharlie Miller and SIRMick
- Source unknownMaster CassetteTaper unknownMaster Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.ListenArchive.orgRelistenetree158250
- SBDD5MStream OnlyTaper unknownCassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24ListenArchive.orgRelistenetree169092TransferAll Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net November 13, 2024
- Source unknownD5MTaper unknownTransfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLACListenArchive.orgRelistenetree152626TransferKyle Holbrook
- Source unknownMaster CassetteTaper unknownMaster Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDICodec.ListenArchive.orgRelistenetree158249
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree154536TransferScott Clugston and Charlie Miller
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree154535TransferScott Clugston and Charlie Miller
- SBDD5MStream OnlyTaper unknownCassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24ListenArchive.orgRelistenetree169156TransferAll Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net November 13, 2024
- Source unknownMaster CassetteTaper unknownMaster Cassettes > Kyocera D811 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/48 > Adobe Audition > xACT > FLAC 24/48ListenArchive.orgRelistenetree176765TransferEdited & Processed by Joe Noel March 23, 2026
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1985-06-27-saratoga-performing-arts-center-saratoga-springs
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Recording gd85-06-27.aud.connor.7006.sbeok.shnf
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"notes": "SPAC Matrix \n\n----------------------------------------------------\n1 SBD:\n\nRecording Info:\nSBD -> Master Cassette -> PCM -> Dat\n\nTransfer Info:\nDat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC\n(3 Discs Audio / 2 Discs FLAC)\n\nTransferred and Edited By Charlie Miller\ncharliemiller87@earthlink.net\n8/27/04\n\nNotes:\nI can't confirm this lineage 100%, but that is how my dat was labled and that is how Rob Eaton has it listed, so I can only assume it's correct. I have also seen it listed as SBD>VHS>Cass>Dat>CD. This version sounds better and is more complete than the etree version.\n\n----------------------------------------------------\n3 AUDs:\n\nAUD 1\n-----\nRecorded by Jim Oade\nTransferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)\n\nField:\nSchoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1\n\nTransfer:\nMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac\n\nAUD 2\n-----\nSource:\nPainoman's Master Analog Cassettes\nDigital Mastering by Charlie Connor 11/03/01\n\nLineage:\nFOB AUD>CM (unknown mics)>Nak DR-10 (Playback)>\nMidiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>\nSteinberg's Wavelab 3.0 (bit resolution & resampling to CDR\nredbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)\n\nCorrect sector boundaries verified using shntool\n\nNote:\n\nAlthough, the mics used to record this show are unidentified\nit only will take you 5 seconds to realize the deck was patched into \na veteran FOB taper with good equipment and a great buffer\nzone in front of the mics. This is an awesome \"you are there\" FOB.\n\nA HUGE special thanks to Painoman for lending me his Master Cassettes,\nWhich took me a friggin year to digitize. Painoman you have the\npatience of a saint.\n\nAUD 3\n-----\nSource: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M\nLocation: *Lawn, Stand at 9 Feet\nTransfer: Nak CR5A>Lunatec V3(analog out)>722@24/96\nEditing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16\nTapers: Tony Suraci/nak700\nTransfer and upload by Tony Suraci.\n\n---------------------------------------------------\n\nThank you to Charlie Miller for the SBD transfer;\nto Jim Oade, Painoman, and Tony Suraci for recording the show;\nand to Charlie Connor and Doug Oade for the AUD transfers.\n\nMatrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) \nJuly 6, 2008 Speed Corrected July 20.\n\nNotes:\n\n1) There is occasional, minor static in the SBD.\n\n2) Soundtrack Pro was used to reduce/remove static in Rooster, Supplication Jam, Spoonful, and Black Peter. (The static in Drums>Space seems to be instrument related.)\n\n3) While any of the above AUDs could have made a good, interesting matrix, the Force ushered me to choose Oade, and incorporate the other two for the patches, when available. \n\n4) There is a cut in the Oade Aud during Lovelight (3:23-end of track) Tuning (3) (entire track) and Baby Blue (4:39 to end). Painoman's AUD patches the Lovelight track up to 8:22, and Surac's AUD patches Baby Blue.\n\n5) There are cuts in the SBD during Supplication Jam (0:17-0:29) and Space (3:39-4:39).\n\n6) Some echo effects that the band was using during this time for vocals and instruments can sound like \"slippage,\" but I can confirm that they are not such moments. \n\n7) The show is seamless. \n\n\nRemastering Notes 07/20/08:\n\n1) The speed was increased by 1.4%. It was rather asinine of me to sync the show to the analogue Miller source (love those Millers!) and not the digital Oade source. A reliable \"source\" informed me that this matrix was about 1.4% slow. Anything over 20 cents in speed difference from true time warrants a fixing in my view. The matrix SOURCE was not pitch-corrected; instead, I exported re-cut, speed-corrected tracks from the earlier Final Cut step in the process. This was done to avoid any unforeseen degradation that could have resulted from additional steps in processing (e.g. weird track gaps can sometimes creep in when pitch correcting in weird ways). There will remain a very small difference in speed from the Oade source because I synced this to analogue originally (with its slight fluctuations), but the general 1.4% increase is basically putting this show in pitch and giving it its true, proper energy. \n\n2) Consequently, I needed to re-do the Soundtrack process, which included some touching up in Bertha as well this time around.",
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"notes": "SPAC Matrix \n\n----------------------------------------------------\n1 SBD:\n\nRecording Info:\nSBD -> Master Cassette -> PCM -> Dat\n\nTransfer Info:\nDat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC\n(3 Discs Audio / 2 Discs FLAC)\n\nTransferred and Edited By Charlie Miller\ncharliemiller87@earthlink.net\n8/27/04\n\nNotes:\nI can't confirm this lineage 100%, but that is how my dat was labled and that is how Rob Eaton has it listed, so I can only assume it's correct. I have also seen it listed as SBD>VHS>Cass>Dat>CD. This version sounds better and is more complete than the etree version.\n\n----------------------------------------------------\n3 AUDs:\n\nAUD 1\n-----\nRecorded by Jim Oade\nTransferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)\n\nField:\nSchoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1\n\nTransfer:\nMaster PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac\n\nAUD 2\n-----\nSource:\nPainoman's Master Analog Cassettes\nDigital Mastering by Charlie Connor 11/03/01\n\nLineage:\nFOB AUD>CM (unknown mics)>Nak DR-10 (Playback)>\nMidiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>\nSteinberg's Wavelab 3.0 (bit resolution & resampling to CDR\nredbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)\n\nCorrect sector boundaries verified using shntool\n\nNote:\n\nAlthough, the mics used to record this show are unidentified\nit only will take you 5 seconds to realize the deck was patched into \na veteran FOB taper with good equipment and a great buffer\nzone in front of the mics. This is an awesome \"you are there\" FOB.\n\nA HUGE special thanks to Painoman for lending me his Master Cassettes,\nWhich took me a friggin year to digitize. Painoman you have the\npatience of a saint.\n\nAUD 3\n-----\nSource: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M\nLocation: *Lawn, Stand at 9 Feet\nTransfer: Nak CR5A>Lunatec V3(analog out)>722@24/96\nEditing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16\nTapers: Tony Suraci/nak700\nTransfer and upload by Tony Suraci.\n\n---------------------------------------------------\n\nThank you to Charlie Miller for the SBD transfer;\nto Jim Oade, Painoman, and Tony Suraci for recording the show;\nand to Charlie Connor and Doug Oade for the AUD transfers.\n\nMatrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) \nJuly 6, 2008\n\nNotes:\n\n1) There is occasional, minor static in the SBD.\n\n2) Soundtrack Pro was used to reduce/remove static in Rooster, Supplication Jam, Spoonful, and Black Peter. (The static in Drums>Space seems to be instrument related.)\n\n3) While any of the above AUDs could have made a good, interesting matrix, the Force ushered me to choose Oade, and incorporate the other two for the patches, when available. \n\n4) There is a cut in the Oade Aud during Lovelight (3:23-end of track) Tuning (3) (entire track) and Baby Blue (4:39 to end). Painoman's AUD patches the Lovelight track up to 8:22, and Surac's AUD patches Baby Blue.\n\n5) There are cuts in the SBD during Supplication Jam (0:17-0:29) and Space (3:39-4:39).\n\n6) Some echo effects that the band was using during this time for vocals and instruments can sound like \"slippage,\" but I can confirm that they are not such moments. \n\n7) The show is seamless.",
"runtime": "163:49.35",
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"description": "Disc One/Set One:\nCrowd/Tuning\nMidnight Hour\nBertha\nLittle Red Rooster\nStagger Lee\nEl Paso\nCrazy Fingers\nSupplication Jam\nHigh//Time\nHell in a Bucket\nDon't Ease Me In\n\nDisc Two/Set Two:\nFeel Like a Stranger\nEyes of the World\nGDTRFB\nWomen are Smarter\nDrums\n\nDisc Three/Set Two cont:\nSpace\nTruckin\nSpoonful\nBlack Peter\nLovelight\nEncores:\nJBG\nBaby Blue",
"notes": "Notes: This is the 16Bit version. 24 Bit is archived on DVDA.",
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Recording gd1985-06-27.sbd.gmb.79558.flac24
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- etree_url
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- content_url
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"notes": "Comments:\nFirst 11 seconds of d1t01 are spliced from previously circulating SBD source which was uprendered to 24/96 using Waves IDR.\n\nThis source has less hiss than the other good sounding circulating sources and the lineage does not mention a VHS tape.",
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Recording gd1985-06-27.135270.senn441.mccue.ford.flac24
- identifier
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- lineage
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- etree_url
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"notes": "Comments:\n\n- I started transferring and or editing Mark McCue’s personal cassette collection in 2005. \nThis source fits in the top ten out of all of them (sound and performance quality). I’d like to thank \nMark and all of his friends who made these tapes with such love and care. Working on the recordings has \nbrought so much fun and enjoyment into my life. It all started because they couldn’t get their \nhands on enough great sounding tapes from recent tours. So, they went up front and did it themselves.\n\nAlex Ford - February 24, 2016.\n\n \nNotes:\n\n- * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz\n- # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez",
"runtime": "153:41.694",
"transferer": "Alex Ford",
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Recording gd1985-06-27.nak300.morris.106788.flac16
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"description": "Set 1:\n tuning\n The Midnight Hour ->\n Bertha ->\n Little Red Rooster\n \"Don't hang off the balcony!\"\n Stagger Lee ->\n El Paso\n Crazy Fingers ->\n Supplication Jam ->\n High Time\n Hell in a Bucket ->\n Don't Ease Me In\n\nSet 2:\n tuning\n Feel Like A Stranger ->\n Eyes of the World ->\n Goin' Down the Road ->\n Man Smart, Woman Smarter ->\n Drums ->\n Space ->\n Truckin' ->\n Spoonful ->\n Black Peter ->\n Lovelight\n\nEncore:\n Johnny B. Goode ->\n It's All Over Now, Baby Blue",
"notes": "Tape flips patched w/ ID 25000 (Soundforge 9.0) in High Time (0:03-0:16), GDTR (4:09-4:14), Baby B (5:39-6:33; ID27863).\nRecorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris.",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-06-27.121563.BeyerM160.daweez.d5scott.flac16
- identifier
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- etree_url
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"notes": "---------------------------------\nR.I.P. Sandy - aka \"Bigfoot\" \n---------------------------------",
"runtime": "153:53.22",
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Recording gd1985-06-27.aud.Holtz.Nak100s.112499.flac16
- identifier
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"runtime": "155:17.54",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-06-27.nak300.morris.114489.flac24
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"notes": "Notes:\n - Splices in High Time (0:03), GDTR (4:08), and Baby Blue (5:40).\n - Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris.\n - Thanks to Sam for help. \n - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.",
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Recording gd1985-06-27.135268.senn441.mccue.ford.sbeok.flac16
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"notes": "Comments:\n\n- I started transferring and or editing Mark McCue’s personal cassette collection in 2005. \nThis source fits in the top ten out of all of them (sound and performance quality). I’d like to thank \nMark and all of his friends who made these tapes with such love and care. Working on the recordings has \nbrought so much fun and enjoyment into my life. It all started because they couldn’t get their \nhands on enough great sounding tapes from recent tours. So, they went up front and did it themselves.\n\nAlex Ford - February 24, 2016.\n\n \nNotes:\n\n- * end of “Supplication” patched w/ SHNID 112499; Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Taped by Greg Holtz\n- # “Space” patched w/ SHNID = 121563; 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Taped by Da Weez",
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Recording gd1985-06-27.126238.chasingwilma.flac24
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Recording gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16
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- gd1985-06-27.145345.aud.bryant.miller.sirmick.flac16
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- Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant
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- Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
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"description": "<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-image:none;\">In The Midnight Hour ><br />\nBertha ><br />\nLittle Red Rooster<br />\nStagger Lee ><br />\nEl Paso<br />\nCrazy Fingers ><br />\nSupplication ><br />\nHigh Time<br />\nHell In A Bucket ><br />\nDon't Ease Me In</span>\n </div>\n\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Feel Like A Stranger ><br />\nEyes Of The World ><br />\nGoin' Down The Road Feeling Bad ><br />\nMan Smart (Woman Smarter) ><br />\nDrums ><br />\nSpace ><br />\nTruckin' ><br />\nSpoonful ><br />\nBlack Peter ><br />\nTurn On Your Lovelight<br /><br />\nEncore:<br />\nJohnny B. Goode ><br />\nIt's All Over Now Baby Blue</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>",
"notes": "Notes:\n\n- There were a number of small dropouts in the left channel of \"In The Midnight Hour\", \"Bertha\", \"High Time\" and \"Feel Like A Stranger\" Both channels have been patched with shnid 135270 - Thank you Mark McCue and Alex Ford.\n- Tape pauses have been smoothed out.\n\n\n\nThanks to Joe B. Jones for his help with pitch correction.\n\n\nThanks to Robert Bryant for this source and thanks to Charlie Miller for the transfer.\n\n\n\nedited and mastered\nSIRMick\nApril 2018",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-06-27.152627.akgc422-davis-murtha.holbrook.flac2448
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- Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM]
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"notes": "Notes;\n- tape pauses in set 1 were cross faded\n- pitch corrected\n\nThanks to;\n- Anon, while hiding out away from the Bay Area, for sharing his master cassette & transfer.\n- Oade Brothers, Darrin Sacks, Bob Morris & Sam for the patch sources.",
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"notes": "Notes:\n-- Thanks to Steve Marcus for the tapes\n-- Steve Marcus copied Don Pearson's masters\n-- Thanks to Chris Ladner and the Oade brothers for the patch source\n-- Thanks to Joe B. Jones for the pitch correction settings",
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">In The Midnight Hour ><br />Bertha ><br />Little Red Rooster<br />Stagger Lee ><br />El Paso<br />Crazy Fingers ><br />Supplication ><br />High Time<br />Hell In A Bucket ><br />Don't Ease Me In</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Feel Like A Stranger ><br />Eyes Of The World ><br />Goin' Down The Road Feeling Bad ><br />Man Smart (Woman Smarter) ><br />Drums ><br />Space ><br />Truckin' ><br />Spoonful ><br />Black Peter ><br />Turn On Your Lovelight<br />Johnny B. Goode ><br />It's All Over Now Baby Blue</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n-- Thanks to Steve Marcus for the tapes\n-- Steve Marcus copied Don Pearson's masters\n-- Thanks to Chris Ladner and the Oade brothers for the patch source\n-- Thanks to Joe B. Jones for the pitch correction settings\n-- This is 169092 2496 > 1648",
"runtime": "159:18.234",
"transferer": "All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net November 13, 2024",
"taperText": "Steve Marcus copied Don Pearson's masters",
"etreedbUrl": "https://db.etreedb.org/shn/169156"
}
},
"contentUrl": "https://archive.org/details/gd1985-06-27.169156.SPAC.SaratogaSprings.NY.sbd.pearson.marcus.miller.t-flac1648"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448
- identifier
- gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448
- source_type
- Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D5 > Master Cassettes Location: From the lawn, underneath the overhang.
- lineage
- Master Cassettes > Kyocera D811 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/48 > Adobe Audition > xACT > FLAC 24/48
- lineage_chain
- Master Cassettes > Kyocera D811 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/48 > Adobe Audition > xACT > FLAC 24/48
- capture_position
- —
- lineage_media_token
- mc
- compendium_quality_grade
- —
- tape_culture_tags
- —
- source_family_tags
- —
- is_listable
- true
- download_count
- 178
- review_count
- —
- mean_rating
- —
- shnid
- 176765
- relisten_url
- https://relisten.net/grateful-dead/1985/06/27?source=3893787
- etree_url
- https://etreedb.org/shn/176765
- content_url
- https://archive.org/details/gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448
Full served wire node (JSON)
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"identifier": "gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448",
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"note": "Master Cassettes"
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"note": "Kyocera D811"
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"note": "Oade modified Grace Design Lunatec V3"
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"note": "M-Audio MicroTrack II"
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"note": "WAV 24/48"
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"note": "Adobe Audition"
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{
"eventType": "transfer",
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"shnid": "176765",
"sourceMeta": {
"description": "<div>Set I</div><div>In The Midnight Hour ></div><div>Bertha ></div><div>Little Red Rooster</div><div>Stagger Lee ></div><div>El Paso</div><div>Crazy Fingers ></div><div>Supplication ></div><div>High Time</div><div>Hell In A Bucket ></div><div>Don't Ease Me In</div><div><br /></div><div>Set II</div><div>Feel Like A Stranger ></div><div>Eyes Of The World ></div><div>Goin' Down The Road Feeling Bad ></div><div>Man Smart (Woman Smarter) ></div><div>Drums ></div><div>Space ></div><div>Truckin' ></div><div>Spoonful ></div><div>Black Peter ></div><div>Turn On Your Lovelight</div><div>Johnny B. Goode ></div><div>It's All Over Now Baby Blue</div><div><br /></div><div>Comment</div><div>Jerry Garcia - Guitar</div><div>Bob Weir - Guitar</div><div>Brent Mydland - Keyboards</div><div>Phil Lesh - Bass</div><div>Bill Kreutzmann - Drums</div><div>Mickey Hart - Drums</div>",
"notes": "Notes:\n- Last & final show at SPAC\n- Attendance record set (40,231)\n- Checksum & tags created in xACT.\n\nThanks to\n- Ray Ackerman for sharing his masters\n- Jim & Doug Oade & Darrin Sacks for the patch source",
"transferer": "Edited & Processed by Joe Noel March 23, 2026",
"taperText": "Recorded, Transferred & Mastered by Ray Ackerman",
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}
},
"contentUrl": "https://archive.org/details/gd1985-06-27.176765.AT835-AKG12E..Ackerman.noel.t-flac2448"
}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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