Setlist via JerryBase

Notes

  1. Last performance (by GD) 1984-12-29 (51 events ago)

Writeups

None available yet

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Tapes

  • SBDDATStream OnlyTaper unknownMaster Soundboard Cassette > DAT > CDR
    SHN discs
    2
  • Source unknownDAT (Reel)Taper unknownNak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
    Taper
    Charlie Connor
  • SBDDATStream OnlyTaper unknownupgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin
  • MatrixDATStream OnlyTaper unknownMatrix 3 Source Mix - SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin
  • BalconyDATTaper unknownDTS-Audio-CD 5.1 Mix ; SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin
    Official release
    This source is a DTS 5.1 mix and is not streamable.
  • AUDMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin
  • BalconyMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
    Taper
    Mike Darby
  • BalconyMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
    Taper
    Mike Darby
  • Source unknownTaper unknown5.1 LPCM Surround Sound Mix (48k)
  • AUDD5MTaper unknownTransfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
    Taper
    Robert Bryant
  • AUDD5MTaper unknownSource: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018
    Taper
    Robert Bryant
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Chris Hecht
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Chris Hecht
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
    Taper
    Mark Terry
    etreedb source
    https://db.etreedb.org/shn/175957
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
    Taper
    Mark Terry
    etreedb source
    https://db.etreedb.org/shn/175956

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1985-09-12-henry-j-kaiser-convention-center-oakland

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Full served wire node (JSON)

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      "notes": "Comments:\n\nThe splices in d1t08 (LLR) and d2t05 (drums) are very minor. There may also\nbe a splice in d3t07, but I'm not sure. The start Of d3t07 NFA is a little\nabrupt but if you listen to the chant behind the music it seems to flow.\nAt any rate if it is a spice it too is minor.\n\nAs this is a taper's section recording you do hear the ambience of the room.\nBut don't let that deter you from downloading this show. It sort of adds\nan element of the \"you are there\" effect and besides that, the music is on\nfire from start to end. Tons of energy and musically spot on!!!!",
      "transferer": "Charlie Connor",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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identifier
gd1985-09-12.upg.sbd.tobin.123886.flac16
source_type
upgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin
lineage
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      "notes": "Audio Patches:\n1) At the beginning of the show,  39.388 seconds were missing from the soundboard and was filled using audio from the video.\n\n2) Between Bertha and It's All Over Now, 1 minute and 21.581 seconds were missing from the soundboard and was filled using audio from the video.\n\n3) Between It's All Over Now and Row Jimmy, 21.519 seconds were missing from the soundboard and was filled using audio from the video.\n\n4) Between Row Jimmy and My Brother Esau, 1 minute and 17.389 seconds were missing from the soundboard and was filled using audio from the video.\n\n5) Between Big RailRoad Blues and Looks Like Rain, 04.455 seconds were missing from the soundboard and was filled using audio from the video.\n\n6) About 1 minute into Help On The Way, .136 seconds were missing from the soundboard and was filled using audio from the audience.\n\n7) 8 minutes into Franklin's Tower, .120 seconds were missing from the soundboard and was filled using audio from the video.\n\n8) Between Franklin's Tower and Playing In The Band, 7.786 seconds was repeated on the soundboard audio and was deleted in order to match the video audio.\n\n9) At the start of Space, 23.482 seconds were missing from the soundboard and was filled using audio from the video.\n\n10) At the end of NFA Chant, 49.668 seconds were missing from the soundboard and was filled using audio from the audience.\n\n11)  Matrix\\DTS and Soundboard were synced using the video as a timing reference until the end of Black Peter (when the video was cut) afterwhich the audience was used as it was more consistent.\n\n12) NOTE: The Darby Audience came in 24/48 format and the Soundboard came as 16/44 format. Using R8brain Pro, the Soundboard was expanded to 24/48. After matrix was mixed and soundboard was patched, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.\n\nBrokedown House Production",
      "runtime": "150:35.50",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-09-12.123888.mtx.tobin.flac16
identifier
gd1985-09-12.123888.mtx.tobin.flac16
source_type
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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