Oct 29, 1985 at Fox Theatre

identifier

gd85-10-29.sbd.hinko.21533.sbeok.shnf

source_type

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—

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etree_url

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content_url

https://archive.org/details/gd85-10-29.sbd.hinko.21533.sbeok.shnf

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identifier

gd1985-10-29.sbd.miller.33704.sbeok.flac16

source_type

SBD -> Cassette Master (Sony D5/Maxell MX90)

lineage

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      "notes": "Notes: \n-- Thanks to Paul Scotton and Joani Walker for the Cassettes\n-- Seamless transition between Discs 2 and 3",
      "transferer": "Charlie Miller",
      "taperText": "Paul Scotton and Joani Walker"
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identifier

gd1985-10-29.sbd.fix-shnid-33704.tetzeli.76118.flac16

source_type

Pitch-corrected fix of shnid 33704

lineage

See info file

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76118

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etree_url

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https://archive.org/details/gd1985-10-29.sbd.fix-shnid-33704.tetzeli.76118.flac16

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      "notes": "-------------------------------------------------------------------------------------\nPitch-corrected fix of shnid 33704\n\nAll editing done in CE Pro.  The CE Pro temp directory and the files being worked on were on 2 separate, defragged external drives.\nThis source was pitch/time stretched to 101.5%.  Various tones generated in CE 2000 were compared with Brent's synthesizer played back in CE Pro.  All tracks were worked on individually.  Resulting SBEs were cleaned up using shntool.\nThe patch in drums was redone using the same source as Charlie Miller.  A 5 second crossfade was applied to the beginning and a 2-second crossfade to the end.  The patch source was time/pitch stretched to 97.79% to match the stretched SBD source (AUD source was also a little off-pitch, flat as opposed to the SBD being sharp).  After the crossfade back into the SBD there's a sudden, brief dropoff in volume, that's part of the SBD and not the patch.\nMany thanks to Charlie Miller for the SBD source and to Doug Nawrocki for the fine AUD. CAVEATS: This is as close to the correct pitch as my ears and equipment could make it.  100% correct pitch is not guaranteed but expressly disavowed - this is nearer the target but not a bullseye.  Also, while any decreasing of pitch and speed automatically exaggerates any cassette wow, it's so infinitesimal in the original source as to be nonexistent, so it's not really a problem here.\n\nBill Tetzeli (btet@adelphia.net)8:16 PM 7/25/2006\n-------------------------------------------------------------------------------------",
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identifier

gd85-10-29.aud-fixed.nawrocki.16756.sbeok.shnf

source_type

Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):Nak 300 > Sony D-5

lineage

—

lineage_chain

Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):Nak 300 > Sony D-5

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audience

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—

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9242

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2

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3.5

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16756

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https://archive.org/details/gd85-10-29.aud-fixed.nawrocki.16756.sbeok.shnf

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identifier

gd1985-10-29.senn441.pa-deli-mike.83024.sbeok.flac16

source_type

2x Sennheiser 441's -> Sony TCD5-M -> Maxell MX

lineage

Nakamichi CR-7A -> DAT (Sony DTC-60ES with SBM) -> CD -> EAC -> WAV -> FLAC

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      "notes": "*NOTE: Canare microphone cables used, otherwise Monster cables throughout.\n\nnotes\n- HELL IN A BUCKET (unknown minor flaw at 7:03)\n- DRUMS -> (fade out/in at 2:20 due to tape flip)\n\nHere's yet another installment from the 'PA Deli Mike' project!!!\n\nThis energetic show from the Fox Theater in Atlanta was recorded by Mike from an unusual location.  The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section.  Mike ran a cable from the Official Taper's Section with Dan Healy's expressed permission.  The SQ is superb on this cassette master recording which is new to circulation, as are all of Mike's recordings. Hope you all enjoy it, and stay tuned for the next installment coming soon!!!\n\nMrChips-",
      "runtime": "141",
      "transferer": "Mr. Chips",
      "taperText": "PA Deli Mike"
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identifier

gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16

source_type

—

lineage

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      "notes": "Crossfades applied for tape flips and before encore.\nDiscs 2 and 3 are seamless.",
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      "transferer": "Bill Koucky",
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identifier

gd1985-10-29.sbd.walker-scotton.miller.105818.flac16

source_type

SBD -> Cassette Master (Sony D5/Maxell MX90)

lineage

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      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Feel Like A Stranger<br />Friend Of The Devil<br />New Minglewood Blues<br />Bird Song<br />Hell In A Bucket<br />Deal</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Mississippi Half Step Uptown Toodleloo &gt;<br />Franklin's Tower &gt;<br />Lost Sailor &gt;<br />Saint Of Circumstance &gt;<br />Crazy Fingers &gt;<br />Drums &gt;<br />Space &gt;<br />The Wheel &gt;<br />The Other One &gt;<br />Wharf Rat &gt;<br />Johnny B. Goode<br /><br />Encore:<br />Brokedown Palace</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
      "notes": "Notes:\n- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive\n- Thanks to Charlie Miller for coordinating this effort\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of \"Deal\", as well as a 0:31 patch in \"Drums\"\n- Pitch verified\n\nMastered by Scott Clugston\nDecember 2022",
      "runtime": "142:04.183",
      "transferer": "Rob Eaton, Scott Clugston, Charlie Miller",
      "taperText": "Rob Eaton"
    }
  },
  "contentUrl": "https://archive.org/details/gd1985-10-29.164046.akg451.ck8.eaton.miller.clugston.flac1648"
}

identifier

gd1985-10-29.177050.senn.md421.strizak.flac2448

source_type

Tom Strizak MAC (2) Senn. MD421 standard stereo configuration (mic stand at approx. 7’) > Sony TC-D5M stereo cassette recorder, (2 Fugi -FR90 Metal/Dolby-B). Location: Taper section Left of center section approx row 25 aisle seat.

lineage

Analog Master cassettes played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > Reaper *DAW (master digitize recording @ 24 bit 48Khz WAV / export FLAC) > Audacity *DAW (for track labeling, audio edits, and conversion to Tracked and Labeled FLAC fileset (*DAW = Digital Audio Workstation)

lineage_chain

Analog Master cassettes played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > Reaper *DAW (master digitize recording @ 24 bit 48Khz WAV / export FLAC) > Audacity *DAW (for track labeling, audio edits, and conversion to Tracked and Labeled FLAC fileset (*DAW = Digital Audio Workstation)

capture_position

tapers_section

lineage_media_token

mc

compendium_quality_grade

—

tape_culture_tags

—

source_family_tags

taper_section

is_listable

true

download_count

267

review_count

—

mean_rating

—

shnid

177050

relisten_url

https://relisten.net/grateful-dead/1985/10/29?source=3931122

etree_url

https://etreedb.org/shn/177050

content_url

https://archive.org/details/gd1985-10-29.177050.senn.md421.strizak.flac2448

Full served wire node (JSON)

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