Grateful Dead
Columbia, SCFall 1985
Setlist via JerryBase
Set 1
Space1 > Werewolves Of London2 > The Music Never Stopped, West L.A. Fadeaway3, Mama Tried > Mexicali Blues, Tennessee Jed, Looks Like Rain > Might As Well
Set 2
Shakedown Street > Playing In The Band > Ship Of Fools > Jam4 > Drums > Space > Dear Mr. Fantasy > Not Fade Away
Encore
Notes
Additional Notes
- Halloween
Writeups
None available yet
Related videos
- Fan-shot
Tapes
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- AUDPCMFront of BoardFront of BoardTaper unknownFOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHNListenArchive.orgRelistenetree2249
- AUDPCMTaper unknownmaster PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)ListenArchive.orgRelistenetree20282
- MatrixMaster CassetteStream OnlyTaper unknownSBD > Master Cassette > Reel > DAT (48khz) > Sony R500 > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN > Mitsui CDR > EAC > WAV > FLAC16ListenArchive.orgRelistenetree31189TransferCharlie Miller
- SBDCD-RTaper unknownCDR > SHN > CDR > SHNListenArchive.orgRelistenetree2028TransferJohn Zeiei
- SBDCassetteTaper unknownCassette > D8 > Sony R500>HHB CDR800ListenArchive.orgRelistenetree19209
- MatrixStream OnlyTaper unknownMatrix mix (SBD/AUD)ListenArchive.orgRelistenetree30829TransferLoy
- Source unknownMaster CassetteTaper unknownMC -> Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN.ListenArchive.orgRelistenetree32864TransferCharles Bandrofcheck
- Source unknownTaper unknownSource: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan RobertsListenArchive.orgRelistenetree122146TransferStan Roberts
- Source unknownD5Taper unknownsource: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bitListenArchive.orgRelistenetree126314Transferchasingwilma
- SBDDATStream OnlyTaper unknownDat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHNListenArchive.orgRelistenetree023590TransferTransferred and Patched By Charlie Miller charliemiller87@earthlink.net 4/8/04
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496ListenArchive.orgRelistenetree151886TransferScott Clugston and Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496ListenArchive.orgRelistenetree151885TransferScott Clugston and Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496ListenArchive.orgRelistenetree164118TransferRob Eaton, Scott Clugston, Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496ListenArchive.orgRelistenetree164117TransferRob Eaton, Scott Clugston, Charlie Miller
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496ListenArchive.orgRelistenetree168185TransferScott Clugston, Charlie Miller
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496ListenArchive.orgRelistenetree168184TransferScott Clugston, Charlie Miller
- Tapers SectionMaster CassetteTapers SectionTaper unknownLineage: Analog Master Cassette (*Set 1 and encore tape played back on Harmon Kardon TD-262 Ultra Wideband Linear Phase) (*Set 2 playback on Nakamichi CR-1A) > Behringer XR-18 audio mixer > Reaper *DAW (master digitize recording @ 24 bit 48Khz WAV / export FLAC) > Audacity *DAW (for track labeling, audio edits, and conversion to Tracked and Labeled FLAC fileset. (*DAW = Digital Audio Workstation)ListenArchive.orgRelistenetree177847TransferTom Strizak
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
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"notes": "If you find any errors please contact me.",
"runtime": "125:26",
"transferer": "John Zeiei"
}
},
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Recording gd1985-10-31.mtx.loy.30829.sbeok.flac16
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"description": "Set 1\n\nFuniculi Funicula \nSpace ->\nWerewolves Of London \nThe Music Never Stopped \nWest L.A. Fadeaway \nMama Tried ->\nMexicali Blues \nTennessee Jed \nLooks Like Rain \nMight As Well \n\nSet 2\n\nShakedown Street ->\nPlaying In The Band ->\nShip Of Fools ->\nDrums ->\nSpace ->\nDear Mr. Fantasy ->\nNot Fade Away \n\nEncore\nU.S. Blues",
"notes": "SBD:D>C>D>C>D>CDR>DAE>SHN(id=19209)\nSony D8 to transfer.Sony R500>HHB CDR800 Toast 1.1 for Wav\n\nSC Field: Schoeps CMC441(from TS, 17cm @ 90deg)> Oade M118>Oade modSony PCM-F1>master PCM>\nDAW(via SEKD card)>DSP*>CD>DAE>SHN(id=20282)\nNotes:* Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. \nIDR used for 32 > 16bit conversions of DAW files.Tracking and verification done by dwonk.\nFirst BT hosting by macdaddy October 31, 2003.\n\n(too)shntool join>resampled to 32bit float/96khz>matrix>16 bit signed pcm WAV 44100 hz>tracking>FLAC\n\nThe oade being the lowest gen was used for reference,the 2 auds ran really close together, speed correction board \n(-4.9% on average set1, -2.8 set2 flux throughout) fortunately the board was really clean,I took the liberty of repairing \nsome of the usual baloon pops. I would guarantee that the fob is the oade recording, mislabeled somewhere \nalong the lines, final mix appr 60/40 sbd/aud\n\nsbd was missing tuning between just about every song in the 1st set, the end of tennessee Jed was cut and also some \nbutchering towards the end of what was there(T JED),missing 1min 25 sec of drums set 2 Missing all of encore US BLUES\nsevere distortion at 62.26 nfa in both sources\n\nthanks go out to the Oade bros for sharing their diehard devotion and taping skills w/ all of us\nthanks as always to Jonathan Aizen(gdiap) for keeping us stocked up on the internet archive \n\na very special thanks goes out to 'Cafe Wilhelmina' in Willemstad, Curacao during my last port call\nI was able to chat w/ my wife, see my kids on the webcam, and download these 3 sources while enjoying \na very tasty treat. gave me a project to pass the time on my way home.\n\n__________________________________________________________________________________________________________________________________________________\nFOB PCM->PCM->DATs->CDR->EAC->SHN(id=2249)\nI thought this was going to be a 3 source matrix but it turns out all 3 auds on the archive are Oade transfers of differing generations.\nafter listening to(while watching the waveforms) \nseveral times,\na few seconds of extra crowd at the beginning, one major glitch in the left channel, don't recall the spot\nbut after the .1% speed correction, the waveforms were identical, leveling slightly different, but an exact match. so i didn't\nsee a need to add gens to the matrix when it would have no real effect on sound. rjh",
"runtime": "137:22.06",
"transferer": "Loy"
}
},
"contentUrl": "https://archive.org/details/gd1985-10-31.mtx.loy.30829.sbeok.flac16"
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Recording gd1985-10-31.cpb-redo2.32864.sbeok.flac16
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- source_type
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"notes": "notes\n\n- This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first\ntape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed.\n\nThose who's ears are very susuptable to tape hiss should stear clear of this offering. See comments on my 11/1/85 offering.",
"runtime": "137",
"transferer": "Charles Bandrofcheck",
"taperText": "Charles Bandrofcheck"
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Recording gd1985-10-31.122146.senn.roberts.flac16
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"runtime": "129:13.25",
"transferer": "Stan Roberts",
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}
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Recording gd1985-10-31.126314.chasingwilma.flac24
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"runtime": "125:00.733",
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Recording gd1985-10-31.sbd.miller.023590.sbeok.shnf
- identifier
- gd1985-10-31.sbd.miller.023590.sbeok.shnf
- source_type
- SBD -> Master Cassette -> Reel -> Dat (48k)
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- Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
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- Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN
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- shnid
- 023590
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- etree_url
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1985-10-31.177847.senn.md241.strizak.flac2448
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"description": "<div>Set I</div><div>Funiculi Funicula</div><div>Space ></div><div>Werewolves Of London ></div><div>The Music Never Stopped</div><div>West L.A. Fadeaway</div><div>Mama Tried ></div><div>Mexicali Blues</div><div>Tennessee Jed</div><div>Looks Like Rain ></div><div>Might As Well</div><div><br /></div><div>Set II</div><div>Shakedown Street ></div><div>Playing In The Band ></div><div>Ship Of Fools ></div><div>Drums ></div><div>Space ></div><div>Dear Mr. Fantasy ></div><div>Not Fade Away</div><div><br /></div><div>Encore:</div><div>U.S. Blues</div><div><br /></div><div>Comment</div><div>Jerry Garcia - Guitar</div><div>Bob Weir - Guitar</div><div>Brent Mydland - Keyboards</div><div>Phil Lesh - Bass</div><div>Bill Kreutzmann - Drums</div><div>Mickey Hart - Drums</div>",
"notes": "Notes:\nAbout 5 seconds to begin playing. Tennessee Jed clips in (tape flip)",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Official releases
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Fan discussion
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