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Tapes

  • Source unknownPCM-F1Front of BoardTaper unknownOade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)
    SHN discs
    2
  • AUDPCM-F1Taper unknownSchoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1
    SHN discs
    2
  • SBDDATStream OnlyTaper unknownSoundboard> ?> DAT> CDr
    SHN discs
    2
    Official release
    This show has been commercially released as Dick's Picks Vol 21
  • MatrixD5Stream OnlyTaper unknownMatrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin
  • Source unknownD5Taper unknownMAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > flac16.
    Taper
    Lucien Zaleski
  • Source unknownD5Taper unknownnak dragon>hd-p2 24/48>adobe>cd wave>flac
    Taper
    Rob Berger
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownNakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac
  • SBDTaper unknownPlayback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN
    Taper
    Charles Bandrofcheck
  • Source unknownTaper unknownSee info file
    Taper
    See info file
    Official release
    This source is availble in DTS 5.1 format (not streamable)
  • SBDD5Taper unknownflac16/48kHz ; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform
    Official release
    This is a 5.1 Surround Sound Mix and is not streamable
  • Front of BoardDAT (Reel)Front of BoardFront of BoardTaper unknownNakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac
    Taper
    Bill Koucky
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
    Taper
    Doug Lamarre
  • Front of BoardD5Front of BoardFront of BoardTaper unknownsource: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
    Taper
    chasingwilma
  • SBDD5Taper unknownDTS-Audio-CD 5.1 Mix ; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin
    Official release
    This is a DTS recording and is not streamable
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
    Taper
    Doug Lamarre
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Michael Hessberg
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Michael Hessberg
  • Tapers SectionMaster CassetteTapers SectionTaper unknownAnalog Master Cassette > playback on Harmon Kardon TD-262 Ultra Wideband Linear Phase) > Behringer XR-18 digital audio mixer > Reaper *DAW (master digitization @ 24 bit 48Khz WAV / export > Audacity *DAW (for track labeling, audio edits, and file conversion to Tracked and Labeled FLAC fileset) (*DAW = Digital Audio Workstation)
    Taper
    Tom Strizak
    etreedb source
    https://etreedb.org/shn/177938
  • Source unknownTaper unknownSBD

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1985-11-01-richmond-coliseum-richmond

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd85-11-01.aud-oade.remaster.20416.sbeok.shnf
identifier
gd85-11-01.aud-oade.remaster.20416.sbeok.shnf
source_type
Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1
lineage
lineage_chain
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etree_url
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd85-11-01.sbd.mccloskey.379.sbeok.shnf
identifier
gd85-11-01.sbd.mccloskey.379.sbeok.shnf
source_type
Soundboard> ?> DAT> CDr
lineage
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Soundboard > ? > DAT > CDr
capture_position
soundboard
lineage_media_token
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review_count
9
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shnid
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etree_url
content_url
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Full served wire node (JSON)

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      "notes": "Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- <a href=\"http://mars.dead.net\" rel=\"ugc nofollow\">go buy it</a>",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-11-01.134977.mtx.tobin.flac16
identifier
gd1985-11-01.134977.mtx.tobin.flac16
source_type
Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin
lineage
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-11-01.senn441.zaleski.ford.91179.sbeok.flac16
identifier
gd1985-11-01.senn441.zaleski.ford.91179.sbeok.flac16
source_type
MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II)
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Recording gd1985-11-01.cpb.retransfer.32709.sbeok.flac16
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gd1985-11-01.cpb.retransfer.32709.sbeok.flac16
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Can't remember shotgun mics -> Sony D6 -> Maxel MX 90s. As close as they'd let you get to the left of SBD
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1985-11-01.dts.haugh.34558.sbeok.flac16
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legs
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      "notes": "Mastering Notes:\nNo patch sources were used for tape flips or pauses. All cuts were crossfaded.\nTape flips were after Big River, in the beginning of Lost Sailor at and in the beginning of She Belongs to Me.\nPauses between songs were after Cold Rain & Snow, Stagger Lee, High Time and at Encore break before Day Job.\n\nTo Burn to 3 discs:\nDisc 1 s1t01 - s1t10\t\t54:11\nDisc 2 s2t01 - s2t08\t\t57:47\nDisc 3 s2t09 - s2t14\t\t40:48",
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      "description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\" style=\"background-image:none;\">Dancin' In The Streets ><br />\nCold Rain & Snow<br />\nLittle Red Rooster<br />\nStagger Lee<br />\nMe & My Uncle<br />\nBig River<br />\nBrown Eyed Women<br />\nJack Straw ><br />\nDon't Ease Me In</span>\n    </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Samson & Delilah<br />\nHigh Time<br />\nHe's Gone ><br />\nSpoonful ><br />\nComes A Time ><br />\nLost Sailor ><br />\nDrums ><br />\nSpace ><br />\nSaint Of Circumstance ><br />\nGimme Some Lovin' ><br />\nShe Belongs To Me ><br />\nGloria<br /><br />\nEncore: <br />\nKeep Your Day Job</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n        <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n    <div class=\"set_info\">\n        <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n    </div>\n</div>\n\n</div>",
      "notes": "Notes:\n- Thanks to Doug Lamarre for the Master cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of \"Brown eyed Women\" (0:30 total), some crowd and beginning of \"Jack Straw\" (0:15 total), the \"High Time > He's Gone\" transition (0:21 total), as well as a 0:16 patch in the jam out of \"Lost Sailor\"\n- Pitch corrected\n\nMastered by Scott Clugston\nFebruary 2021",
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      "notes": "Notes:\n- Thanks to Michael Hessberg for the master cassette recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and first few notes of \"Brown Eyed Women\" (0:20 total), a 0:31 patch in the \"Comes A Time > Lost Sailor\" transition, as well as an 0:11 patch in the \"Gimme Some Lovin' > She Belongs To Me\" transition\n- Pitch corrected\n\nMastered by Scott Clugston\nApril 2024",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording playdead:1985-11-01:47485
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playdead:1985-11-01:47485
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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