Grateful Dead
May 10, 1986 at Frost Amphitheatre, Stanford University
Palo Alto, CA
Setlist via JerryBase
Set 1
Bertha > Greatest Story Ever Told, West L.A. Fadeaway, Desolation Row, Tennessee Jed, Minglewood Blues, Big Railroad Blues, Let It Grow
Set 2
Hell In A Bucket > Sugaree, Estimated Prophet > Eyes Of The World > Drums > Space > The Wheel > China Doll > Throwing Stones > Turn On Your Lovelight
Encore
Writeups
None available yet
Related videos
None available yet
Tapes
- SBDMaster CassetteStream OnlyTaper unknownSBD > MC > C > DAT > CD > EAC > SHNListenArchive.orgRelistenetree19962
- SBDD5Stream OnlyTaper unknownCassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->ListenArchive.orgRelistenetree81625TransferCharlie Miller
- AUDMaster CassetteTaper unknownAUD>MC*>DAT>CDRListenArchive.orgRelistenetree13817
- Front of BoardPCM-F1Front of BoardFront of BoardTaper unknownSource Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16ListenArchive.orgRelistenetree140256TransferCharlie Miller, Jim Wise, Scott Clugston
- Source unknownMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&RenameListenArchive.orgRelistenetree120491TransferKeo
- Front of BoardD5Front of BoardFront of BoardTaper unknownlineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8ListenArchive.orgRelistenetree135047Transferchasingwilma
- Source unknownMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.)ListenArchive.orgRelistenetree120490TransferKeo
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree148864TransferScott Clugston and Charlie Miller
- Source unknownD5MTaper unknownOriginal transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661ListenArchive.orgRelistenetree156608TransferKyle Holbrook
- Source unknownD5MTaper unknownOriginal transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661ListenArchive.orgRelistenetree156609TransferKyle Holbrook
- Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496ListenArchive.orgRelistenetree148865TransferScott Clugston and Charlie Miller
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496ListenArchive.orgRelistenetree166966TransferScott Clugston, Charlie Miller
- MatrixStream OnlyTaper unknownSBD/AUD Matrix Blend by Ryan SchubertListenArchive.orgRelistenetree176988
- Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496ListenArchive.orgRelistenetree166965TransferScott Clugston, Charlie Miller
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
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Recording gd1986-05-10.148864.neumann.km84i.hecht.miller.clugston.flac1648
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"notes": "Notes:\n- Thanks to Chris Hecht for the master cassette recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nOctober 2019",
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Recording gd1986-05-10.156608.nakomni.holbrook.flac16
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Bertha ><br />\nGreatest Story Ever Told<br />\nWest L.A. Fadeaway<br />\nDesolation Row<br />\nTennessee Jed<br />\nNew Minglewood Blues<br />\nBig Railroad Blues<br />\nLet It Grow</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-color:rgba(0,0,0,0);background-image:none;\">Hell In A Bucket ><br />\nSugaree<br />\nEstimated Prophet ><br />\nEyes Of The World ><br />\nDrums ><br />\nSpace ><br />\nThe Wheel ><br />\nChina Doll ><br />\nThrowing Stones ><br />\nTurn On Your Lovelight<br />\nThe Mighty Quinn (Quinn The Eskimo)</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br />\n <div class=\"set_info\">\n <span title=\"Click to edit\"><br />\n</span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "As I was not at these shows this is more of what I have been told between the contemporaneous stories and those from years later. The previous weekend the tapers had been told not to try to go FOB at the Frost. Therefore Mike and Kenny chose to ride it out alongside Aaron's crew and patch in to their customized microphone, pre-amp and dbx noise reduction system. All the credit goes to Jaime Poris and James Olness who were some of the west coast tapers who comprised what I term the \"second wave\" of Grateful Dead recordists. These guys came of age in the late 1970's to early 1980's when the game was all about sneaking in the gear. By this time in 1986 Dan Healy had created the OTS (Official Tapers Section) and for certain tapers often correlated to certain venues this became a grand audio engineering experiment of \"best practices\" for recording live soundfields.\n\nThe setup they used for these shows was a customized Nakamichi 700 microphone with each omni capsule placed into plexiglass plate for increased frequency response. Also using a custom microphone pre-amp instead of the onboard Sony TC-D5M preamps. This signal was fed into a dbx224 customized for battery power and then into a splitter box which had both a dbx and Dolby output. This recording's master originated from the dbx output side then decoded for this first gen copy. These are truly unique recordings which sound equally as good as all the fancy words spent describing the gear.\n\nFor an imgur link to an Audio Magazine January 1988 edition discussing the Poris/Olness set-up: https://imgur.com/a/ELRxIKC",
"runtime": "161:52.62",
"transferer": "Kyle Holbrook",
"taperText": "Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig"
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Recording gd1986-05-10.156609.nakomni.holbrook.flac24
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Bertha ><br />\nGreatest Story Ever Told<br />\nWest L.A. Fadeaway<br />\nDesolation Row<br />\nTennessee Jed<br />\nNew Minglewood Blues<br />\nBig Railroad Blues<br />\nLet It Grow</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\" style=\"background-color:rgba(0,0,0,0);background-image:none;\">Hell In A Bucket ><br />\nSugaree<br />\nEstimated Prophet ><br />\nEyes Of The World ><br />\nDrums ><br />\nSpace ><br />\nThe Wheel ><br />\nChina Doll ><br />\nThrowing Stones ><br />\nTurn On Your Lovelight<br />\nThe Mighty Quinn (Quinn The Eskimo)</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br />\n <div class=\"set_info\">\n <span title=\"Click to edit\"><br />\n</span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nBrent Mydland - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "As I was not at these shows this is more of what I have been told between the contemporaneous stories and those from years later. The previous weekend the tapers had been told not to try to go FOB at the Frost. Therefore Mike and Kenny chose to ride it out alongside Aaron's crew and patch in to their customized microphone, pre-amp and dbx noise reduction system. All the credit goes to Jaime Poris and James Olness who were some of the west coast tapers who comprised what I term the \"second wave\" of Grateful Dead recordists. These guys came of age in the late 1970's to early 1980's when the game was all about sneaking in the gear. By this time in 1986 Dan Healy had created the OTS (Official Tapers Section) and for certain tapers often correlated to certain venues this became a grand audio engineering experiment of \"best practices\" for recording live soundfields.\n\nThe setup they used for these shows was a customized Nakamichi 700 microphone with each omni capsule placed into plexiglass plate for increased frequency response. Also using a custom microphone pre-amp instead of the onboard Sony TC-D5M preamps. This signal was fed into a dbx224 customized for battery power and then into a splitter box which had both a dbx and Dolby output. This recording's master originated from the dbx output side then decoded for this first gen copy. These are truly unique recordings which sound equally as good as all the fancy words spent describing the gear.\n\nFor an imgur link to an Audio Magazine January 1988 edition discussing the Poris/Olness set-up: https://imgur.com/a/ELRxIKC",
"runtime": "161:52.820",
"transferer": "Kyle Holbrook",
"taperText": "Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig"
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}Archive.org metadata (on the wire)
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Recording gd1986-05-10.148865.neumann.km84i.hecht.miller.clugston.flac2496
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"notes": "Notes:\n- Thanks to Chris Hecht for the master cassette recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nOctober 2019",
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Recording gd1986-05-10.166966.nak700.severson.miller.clugston.flac2496
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Bertha ><br />Greatest Story Ever Told<br />West L.A. Fadeaway<br />Desolation Row<br />Tennessee Jed<br />New Minglewood Blues<br />Big Railroad Blues<br />Let It Grow</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Hell In A Bucket ><br />Sugaree<br />Estimated Prophet ><br />Eyes Of The World ><br />Drums ><br />Space ><br />The Wheel ><br />China Doll ><br />Throwing Stones ><br />Turn On Your Lovelight<br />The Mighty Quinn (Quinn The Eskimo)</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n- Thanks to Mark Severson for the master cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nJanuary 2024\n\nSet One:",
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Recording gd1986-05-10.176988.matrix.shubert.flac2444
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"isListable": true,
"sourceType": "Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5",
"lineage": "Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496",
"lineageChain": "Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496",
"shnid": "166965",
"sourceMeta": {
"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Bertha ><br />Greatest Story Ever Told<br />West L.A. Fadeaway<br />Desolation Row<br />Tennessee Jed<br />New Minglewood Blues<br />Big Railroad Blues<br />Let It Grow</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Hell In A Bucket ><br />Sugaree<br />Estimated Prophet ><br />Eyes Of The World ><br />Drums ><br />Space ><br />The Wheel ><br />China Doll ><br />Throwing Stones ><br />Turn On Your Lovelight<br />The Mighty Quinn (Quinn The Eskimo)</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n- Thanks to Mark Severson for the master cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nJanuary 2024",
"runtime": "163:47.662",
"transferer": "Scott Clugston, Charlie Miller",
"taperText": "Mark Severson"
}
},
"contentUrl": "https://archive.org/details/gd1986-05-10.166965.nak700.severson.miller.clugston.flac1648"
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