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  • College Gig

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Tapes

  • SBDMaster CassetteStream OnlyTaper unknownSBD > MC > C > DAT > CD > EAC > SHN
    SHN discs
    2
  • SBDD5Stream OnlyTaper unknownCassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
  • AUDMaster CassetteTaper unknownAUD>MC*>DAT>CDR
    SHN discs
    2
  • Front of BoardPCM-F1Front of BoardFront of BoardTaper unknownSource Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
    Taper
    Oade Brothers
  • Source unknownMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
    Taper
    Mike Darby
  • Front of BoardD5Front of BoardFront of BoardTaper unknownlineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
    Taper
    chasingwilma
  • Source unknownMaster ReelTaper unknownMaster Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.)
    Taper
    Mike Darby
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Chris Hecht
  • Source unknownD5MTaper unknownOriginal transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661
    Taper
    Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig
  • Source unknownD5MTaper unknownOriginal transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661
    Taper
    Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig
  • Source unknownDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
    Taper
    Chris Hecht
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Mark Severson
  • MatrixStream OnlyTaper unknownSBD/AUD Matrix Blend by Ryan Schubert
    etreedb source
    https://etreedb.org/shn/176988
  • Source unknownMaster CassetteTaper unknownMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Mark Severson

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1986-05-10-frost-amphitheatre-stanford-university-palo-alto

Recording gd86-05-10.sbd.hinko.19962.sbeok.shnf
identifier
gd86-05-10.sbd.hinko.19962.sbeok.shnf
source_type
SBD > MC > C > DAT > CD > EAC > SHN
lineage
lineage_chain
SBD > MC > C > DAT > CD > EAC > SHN
capture_position
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lineage_media_token
mc
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
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etree_url
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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1986-05-10.sbd.walker-scotton.miller.81625.flac16
identifier
gd1986-05-10.sbd.walker-scotton.miller.81625.flac16
source_type
SBD -> Cassette Master (Sony D5/Maxell MX-90) D
lineage
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
lineage_chain
Cassette Master (Tascam 122mkII) > Apogee MiniMe (24bit/48k) >
capture_position
soundboard
lineage_media_token
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compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
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download_count
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review_count
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mean_rating
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shnid
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relisten_url
https://relisten.net/grateful-dead/1986/05/10?source=2609391
etree_url
https://etreedb.org/shn/81625
content_url
https://archive.org/details/gd1986-05-10.sbd.walker-scotton.miller.81625.flac16

Full served wire node (JSON)

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      "notes": "Patch Info:\nAUD Source from etree supplies:\nDrums (2:05 - 3:02)\n\nNotes:\n-- Set 2 is seamless\n-- Thanks to Paul Scotton and Joani Walker for the Cassettes",
      "runtime": "166:16",
      "transferer": "Charlie Miller"
    }
  },
  "contentUrl": "https://archive.org/details/gd1986-05-10.sbd.walker-scotton.miller.81625.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd86-05-10.aud.eD.13817.sbeok.shnf
identifier
gd86-05-10.aud.eD.13817.sbeok.shnf
source_type
AUD>MC*>DAT>CDR
lineage
lineage_chain
AUD > MC* > DAT > CDR
capture_position
audience
lineage_media_token
mc
compendium_quality_grade
tape_culture_tags
source_family_tags
is_listable
true
download_count
10650
review_count
5
mean_rating
4
shnid
13817
relisten_url
https://relisten.net/grateful-dead/1986/05/10?source=2609404
etree_url
https://etreedb.org/shn/13817
content_url
https://archive.org/details/gd86-05-10.aud.eD.13817.sbeok.shnf

Full served wire node (JSON)

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      "mostRecentEventType": "transfer",
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      "events": [
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    "isListable": true,
    "sourceType": "AUD>MC*>DAT>CDR",
    "lineageChain": "AUD > MC* > DAT > CDR",
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    "sourceMeta": {
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      "notes": "AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD",
      "shnDiscs": "2"
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  "contentUrl": "https://archive.org/details/gd86-05-10.aud.eD.13817.sbeok.shnf"
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1986-05-10.140256.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
identifier
gd1986-05-10.140256.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644
source_type
Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
lineage
lineage_chain
Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF) > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
capture_position
front_of_board
lineage_media_token
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download_count
2997
review_count
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mean_rating
5
shnid
140256
relisten_url
https://relisten.net/grateful-dead/1986/05/10?source=3883196
etree_url
https://etreedb.org/shn/140256
content_url
https://archive.org/details/gd1986-05-10.140256.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644

Full served wire node (JSON)

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      "notes": "Notes:\n- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk, and my apologies for not properly acknowledging their efforts sooner.\n- Thanks to Jim Wise for the hard disk drive\n- Thanks to Charlie Miller for coordinating this effort\n\nMastered by Scott Clugston\nDecember 15, 2017",
      "runtime": "166:06.05",
      "transferer": "Charlie Miller, Jim Wise, Scott Clugston",
      "taperText": "Oade Brothers"
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}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1986-05-10.Senn421sNak300s.Darby.120491.Flac1644
identifier
gd1986-05-10.Senn421sNak300s.Darby.120491.Flac1644
source_type
Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
lineage
lineage_chain
Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High) > Sony MX 10 > Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out) > Tascam HD-P2 @ 24/48 > HDD > Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
capture_position
lineage_media_token
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120491
relisten_url
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etree_url
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content_url
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Full served wire node (JSON)

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          "note": "Tascam HD-P2 @ 24/48"
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1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart
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      "notes": "As I was not at these shows this is more of what I have been told between the contemporaneous stories and those from years later. The previous weekend the tapers had been told not to try to go FOB at the Frost. Therefore Mike and Kenny chose to ride it out alongside Aaron's crew and patch in to their customized microphone, pre-amp and dbx noise reduction system. All the credit goes to Jaime Poris and James Olness who were some of the west coast tapers who comprised what I term the \"second wave\" of Grateful Dead recordists. These guys came of age in the late 1970's to early 1980's when the game was all about sneaking in the gear. By this time in 1986 Dan Healy had created the OTS (Official Tapers Section) and for certain tapers often correlated to certain venues this became a grand audio engineering experiment of \"best practices\" for recording live soundfields.\n\nThe setup they used for these shows was a customized Nakamichi 700 microphone with each omni capsule placed into plexiglass plate for increased frequency response. Also using a custom microphone pre-amp instead of the onboard Sony TC-D5M preamps.  This signal was fed into a dbx224 customized for battery power and then into a splitter box which had both a dbx and Dolby output. This recording's master originated from the dbx output side then decoded for this first gen copy. These are truly unique recordings which sound equally as good as all the fancy words spent describing the gear.\n\nFor an imgur link to an Audio Magazine January 1988 edition discussing the Poris/Olness set-up: https://imgur.com/a/ELRxIKC",
      "runtime": "161:52.62",
      "transferer": "Kyle Holbrook",
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      "notes": "As I was not at these shows this is more of what I have been told between the contemporaneous stories and those from years later. The previous weekend the tapers had been told not to try to go FOB at the Frost. Therefore Mike and Kenny chose to ride it out alongside Aaron's crew and patch in to their customized microphone, pre-amp and dbx noise reduction system. All the credit goes to Jaime Poris and James Olness who were some of the west coast tapers who comprised what I term the \"second wave\" of Grateful Dead recordists. These guys came of age in the late 1970's to early 1980's when the game was all about sneaking in the gear. By this time in 1986 Dan Healy had created the OTS (Official Tapers Section) and for certain tapers often correlated to certain venues this became a grand audio engineering experiment of \"best practices\" for recording live soundfields.\n\nThe setup they used for these shows was a customized Nakamichi 700 microphone with each omni capsule placed into plexiglass plate for increased frequency response. Also using a custom microphone pre-amp instead of the onboard Sony TC-D5M preamps.  This signal was fed into a dbx224 customized for battery power and then into a splitter box which had both a dbx and Dolby output. This recording's master originated from the dbx output side then decoded for this first gen copy. These are truly unique recordings which sound equally as good as all the fancy words spent describing the gear.\n\nFor an imgur link to an Audio Magazine January 1988 edition discussing the Poris/Olness set-up: https://imgur.com/a/ELRxIKC",
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Archive.org metadata (on the wire)

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      "notes": "Notes:\n- Thanks to Chris Hecht for the master cassette recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:09 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nOctober 2019",
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Recording gd1986-05-10.176988.matrix.shubert.flac2444
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gd1986-05-10.176988.matrix.shubert.flac2444
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          "note": "Adobe Audition CC 2024"
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        {
          "eventType": "reseed",
          "atUtc": null,
          "note": "TLH flac2496"
        }
      ]
    },
    "downloadCount": 155,
    "isListable": true,
    "sourceType": "Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5",
    "lineage": "Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496",
    "lineageChain": "Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496",
    "shnid": "166965",
    "sourceMeta": {
      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Bertha &gt;<br />Greatest Story Ever Told<br />West L.A. Fadeaway<br />Desolation Row<br />Tennessee Jed<br />New Minglewood Blues<br />Big Railroad Blues<br />Let It Grow</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Hell In A Bucket &gt;<br />Sugaree<br />Estimated Prophet &gt;<br />Eyes Of The World &gt;<br />Drums &gt;<br />Space &gt;<br />The Wheel &gt;<br />China Doll &gt;<br />Throwing Stones &gt;<br />Turn On Your Lovelight<br />The Mighty Quinn (Quinn The Eskimo)</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"><br /></span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Brent Mydland - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
      "notes": "Notes:\n- Thanks to Mark Severson for the master cassettes\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to Bob Wagner for the Nakamichi 700 source which supplies an 0:08 patch in \"Drums\"\n- Pitch corrected\n\nMastered by Scott Clugston\nJanuary 2024",
      "runtime": "163:47.662",
      "transferer": "Scott Clugston, Charlie Miller",
      "taperText": "Mark Severson"
    }
  },
  "contentUrl": "https://archive.org/details/gd1986-05-10.166965.nak700.severson.miller.clugston.flac1648"
}

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