Grateful Dead
Dec 31, 1986 at Henry J. Kaiser Convention Center
Oakland, CA
Setlist via JerryBase
Writeups
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Related videos
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Tapes
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- SBDD5Stream OnlyTaper unknownCassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->ListenArchive.orgRelistenetree77447TransferCharlie Miller
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- SBDDAT (Reel)Stream OnlyTaper unknownCassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16ListenArchive.orgRelistenetree99051TransferCharlie Miller
- BalconyCassetteTaper unknownRecorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac FingerprintsListenArchive.orgRelistenetree137457TransferIan Stoy
- Source unknownPCMUltraMatrixTaper unknownMaster UltraMatrix PCMListenArchive.orgRelistenetree140822TransferCharlie Miller and Scott Clugston
- SBDHi-Fi VideoTaper unknownSoundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by NormListenArchive.orgRelistenetree137263TransferJason Chastain;Norm
- Front of BoardD5Front of BoardFront of BoardTaper unknownsource: beyers 160 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bitListenArchive.orgRelistenetree135513Transferchasingwilma
- Front of BoardPCMFront of BoardFront of BoardTaper unknownSource Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16ListenArchive.orgRelistenetree142303TransferScott Clugston and Charlie Miller and Blake Jacobs
- SBDD5MUltraMatrixStream OnlyTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24ListenArchive.orgRelistenetree155987TransferAll Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net March 8, 2022
- SBDD5MUltraMatrixStream OnlyTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24ListenArchive.orgRelistenetree156532TransferAll Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net March 8, 2022
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496ListenArchive.orgRelistenetree176486TransferScott Clugston, Charlie Miller
- Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496ListenArchive.orgRelistenetree176485TransferScott Clugston, Charlie Miller
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
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"notes": "Celebrating 30 years!!!! … The master cassettes are getting older and need to be Archived digitally before they are gone…. A new start to going though my recordings. Nothing special about this run… I was way in the back of the HJ Kaiser in the balcony in the Official Taping section. Though seating capacity is only around 6000, so it’s not huge. Running my Toa K1’s Spaced at 24” on bar about 10’ up > xlr to mini (1/8” /3.5mm) TRS,> direct to Sony WM-D6C..There must have been more that 30 or more mic stands up and who knows how many decks, not to mention any front of board tapers. For me personally it’s historic, as It was 30 years ago, and this set of shows were the first Grateful Dead shows I taped (recorded).\nA big thanks to Ron Cook who custom machined my 24” spreader bar for my Toa K1’s and James (Jim) Ford both of whom helped getting tickets and seats to secure taping locations in 87, 87, 88, 89…\nI will begin to jump around in my collection of recordings to find special ones and or ones that are unique or of better quality of my uncirculated captures.\n\n\nenjoy - ArchivalAudio",
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"notes": "Notes:\n- Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk\n- Thanks to Blake Jacobs for the hard disk\n- Thanks to Charlie Miller for coordinating this effort\n- Usual fireworks/pops throughout, mostly at the beginning of the 2nd Set. Couple of mic bumps thrown in for good measure.\n- Outstanding capture, imo\n\nMastered by Scott Clugston\nJune 13, 2018",
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The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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