Tags

  • TV Broadcast

Setlist via JerryBase

Notes

  1. First performance last performance on 1987-07-26 by Dylan and the Dead as guest

Writeups

None available yet

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Tapes

  • Source unknownD5MTaper unknownNak CR5A>Lunatec V3>SD722
    Taper
    Tony Suraci
  • SBDPCMStream OnlyTaper unknownSBD>TAMH*>CD>EAC>FLAC (Most likely SBD>PCM>DAT>CD>EAC>FLAC)
  • MatrixMaster ReelStream OnlyTaper unknownMAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
  • SBDDAT (Reel)Taper unknownCassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
  • Source unknownD5MTaper unknownMAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
    Taper
    Ted Gidley
  • Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled: Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Source unknownTaper unknownSource: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
    Taper
    bltz
  • Source unknownD5MTaper unknownMaster Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
    Taper
    Steve Hill
  • Source unknownTaper unknownLineage unknown
  • AUDTaper unknown(original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
  • Source unknownD5MTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
    Taper
    Doug Lamarre
    etreedb source
    https://etreedb.org/shn/176816

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1987-09-19-madison-square-garden-new-york

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gd1987-09-19.nakcm304.suraci.82419.flac16
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capture_position
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etree_url
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content_url
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      "notes": "Audio anomalies may exist.\nDisc 2 requires an overburn of 2:27.12. (Yes, it CAN be done!)\n\nTools:\nDell Inspiron 8200 (Hardware)\nWindows XP Professional Version 2002 Service Pack 2 (OS)\nExact Audio Copy V0.95 Beta 3 (Secure Mode Extraction)\nSHNTool 2.03 (Sector Boundary Verification)\nFLAC frontend 1.7.1 Etree Edition (FLAC Compression)\nmd5summer v1.1.0.24 (MD5 Generation)\n\n----------\n\nPainoMan - April - August 2006\n\nYokosuka, Japan\nColorado Springs, CO\n\nOriginal CDs provided by Jay Serafin in 2000.  Thanks Jay.\n\n\n*Then A Miracle Happened",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1987-09-19.126346.mtx-redo.eichorn.sbeok.t-flac16
identifier
gd1987-09-19.126346.mtx-redo.eichorn.sbeok.t-flac16
source_type
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      "notes": "-----------------------------------------\n\n\n\nI released a version of this matrix on December 6, 2013.  I'm re-releasing it now.  Why?  Obviously, because I think this release represents a serious improvement over the first.  Unlike in the cases of my other re-releases, however, this time I have no good excuse: I simply screwed up the first one.  I apologize for inflicting it on the trading community: it's a mess.  I was experimenting with new plug-ins, and things got wildly out of hand.  I have instituted new quality-control mechanisms to ensure that such botched jobs don't make it into circulation in the future.\n\n\nFRESH LEGS, VOL. 8  (Matrix)\nwww.facebook.com/freshdeadlegs/\n\nGeneral Notes:\n\n\n- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.\n\n- A night of missed cues and half-starts!  Jerry tries to jump straight from \"Mississippi Half-Step\" to \"High Time\"; Bobby tries to start up \"The Other One\" after \"Maggie's Farm,\" and then he tries to segue back into \"Playin' in the Band\" after \"Black Peter.\"\n\n\nSource Notes:\n\n\n- Q: Why do the two sets use different audience sources?  A: I initially decided to use the Watson source, which I think has a nice full sound to it.  I did all the prep work for the first set before discovering that the second set of the source has speed-and-pitch problems that make is less desirable than the Gidley source, which I nearly decided to use in the first place.  Rather than scrapping all the work I'd done on the first set, I decided to keep it and just toss in the Gidley source for the second set.  I did what I could to make the sound uniform across the sets; I think the results are pretty good.\n\n- I used some crowd-noise from the Gidley AUD in the first set, to fill in some blanks.\n\n- I only retain between-song crowd-noise from AUD sources.  This means that some 'dead air' was cut from the SBD and some fades were added.\n\n- Unfortunately, the SBD is riddled with problems.  (1) It repeats a second or so of \"High Time,\" which I cut.  (2) There's a hum and hiss throughout, which I couldn't get rid of.  It's only really noticeable between songs and on headphones, so don't worry about it too much.  (3) There are various anomalies, some of which I couldn't fix.  (\"Box of Rain\" is particularly afflicted.)  I did what I could to make them as unobtrusive as possible.  (4) I evened-out the levels in the second set.  (5) The mix leaves something to be desired in places: Brent is too loud during \"Big River\"; Bobby's vocals are too loud during \"Playin'\"; Bobby's guitar is too loud at various places; et al.  Obviously, there was little I could do about any of this.\n\n\nTechnical Notes:\n\n\n- The sources were remastered and mixed in Logic Pro 9.  Clean-up was done using iZotope RX 3 Advanced.  SBE's were fixed using Trader's Little Helper.\n\n- I speed- and pitch-corrected the SBD using the iZotope Radius algorithm.  Fine-tune syncing was done in Logic Pro 9.\n\n- I ran the SBD and the Watson AUD through iZotope RX 3's Declip function.\n\n- I converted the Gidley source from 24/48 to 16/44.1 using iZotope RX 3.\n\n\nRoger Eichorn\nwww.facebook.com/freshdeadlegs/\nDecember 16, 2013",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1987-09-19.137413.sbd.miller.flac16
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      "notes": "Notes:\n-- Maggie's Farm was broadcast on TV for Farm Aid\n-- Two sets of masters were used to make show complete\n-- Thanks to Joe B. Jones for his help with the pitch correction\n\n**This fileset is 16bit @ 44.1**\n137405 24bit > 16bit with r8brain",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1987-09-19.nak300.gidley.116065.flac2448
identifier
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      "description": "Set 1\n\nMississippi Half Step, It's All Over Now, High Time, Mexicali Blues-> Big River, When Push Comes To Shove, Box Of Rain-> Don't Ease Me In\n\nSet 2\n\nCrazy Fingers-> Uncle John's Band-> Playin' In The Band-> Drums-> Jam-> I Need A Miracle-> Maggie's Farm-> Black Peter-> Around & Around-> Turn On Your Love Light, E: Black Muddy River\n\nTV Broadcast for Farm Aid",
      "notes": "---------------------------------------------------------\n- Mixed by kevtobin@yahoo.com\n- FLAC conversion 02-SEP-2015 - Trader Little Helper\n- Tagged 02-SEP-2015 - Tag&Rename\n---------------------------------------------------------\nOnly minor patching - 1st set had some additional dead air before When Push Comes to Shove to match soundboard tracks. 2nd set had 1 minutes and 05 seconds added during the end of Drums and 55 seconds before Black Muddy River.  Speedwise the audience was kind-of fast compared to other recordings (also checked against circulating video) - about .75 seconds per minute.\n\nBrokedown House Production",
      "runtime": "137:10.52",
      "transferer": "Kevin Tobin"
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  "contentUrl": "https://archive.org/details/gd1987-09-19.134124.upg-aud.tobin.flac16"
}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1987-09-19.176816.senn441.lamarre.miller.clugston.flac2496
identifier
gd1987-09-19.176816.senn441.lamarre.miller.clugston.flac2496
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Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
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Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
lineage_chain
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
capture_position
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d5m
compendium_quality_grade
tape_culture_tags
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is_listable
true
download_count
129
review_count
mean_rating
shnid
176816
relisten_url
https://relisten.net/grateful-dead/1987/09/19?source=3884138
etree_url
https://etreedb.org/shn/176816
content_url
https://archive.org/details/gd1987-09-19.176816.senn441.lamarre.miller.clugston.flac2496

Full served wire node (JSON)

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    "sourceMeta": {
      "description": "<div>Set I</div><div>Mississippi Half-Step Uptown Toodeloo &gt;</div><div>It's All Over Now</div><div>High Time</div><div>Mexicali Blues &gt;</div><div>Big River</div><div>When Push Comes To Shove</div><div>Box Of Rain &gt;</div><div>Don't Ease Me In</div><div><br /></div><div>Set II</div><div>Crazy Fingers &gt;</div><div>Uncle John's Band &gt;</div><div>Playing In The Band &gt;</div><div>Drums &gt;</div><div>Space &gt;</div><div>I Need A Miracle &gt;</div><div>Maggie's Farm &gt;</div><div>Black Peter &gt;</div><div>Around &amp; Around &gt;</div><div>Turn On Your Lovelight</div><div><br /></div><div>Encore:</div><div>Black Muddy River</div><div> </div><div>Comment</div><div>TV Broadcast for Farm Aid</div><div><br /></div><div>Jerry Garcia - Guitar</div><div>Bob Weir - Guitar</div><div>Brent Mydland - Keyboards</div><div>Phil Lesh - Bass</div><div>Bill Kreutzmann - Drums</div><div>Mickey Hart - Drums</div>",
      "notes": "Notes:\n- Thanks to Doug Lamarre for the master cassette recording\n- Thanks to Charlie Miller for the transfer and coordinating this effort\n- Thanks to M. Laurentis for the AT835B source which supplies a 0:17 patch in \"Space\"\n- \"Maggie's Farm\" broadcast on Farm Aid\n- Pitch corrected\n\nMastered by Scott Clugston\nDecember 2024",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

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