Grateful Dead
Mar 20, 1992 at Copps Coliseum
Hamilton, CanadaSpring 1992
Setlist via JerryBase
Writeups
- Bird Song (Guest Post)
BIRD SONG by Hugh Barroll, 1999 For many years, Bird Song was Hunter and Garcia's hidden elegy to Janis Joplin. In electric shows it ...
Related videos
None available yet
Tapes
- SBDDATStream OnlyTaper unknownSBD>DAT>CDRListenArchive.orgRelistenetree9757
- MatrixStream OnlyTaper unknownMatrix mix (SBD/AUD)ListenArchive.orgRelistenetree95208TransferHunter Seamons
- SBDTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24ListenArchive.orgRelistenetree141785TransferCharlie Miller
- Source unknownTaper unknownSBDListenArchive.org
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1992-03-20-copps-coliseum-hamilton
Recording gd92-03-20.sbd.gardner.9757.sbeok.shnf
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- etree_url
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"notes": "SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1992-03-20.mtx.seamons.95208.sbeok.flac16
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Full served wire node (JSON)
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"description": "Set 1\n\nHell In A Bucket \nAlthea \nThe Same Thing \nBrown Eyed Women \nMexicali Blues ->\nMaggie's Farm \nBird Song \nThe Promised Land \n\nSet 2\n\nShakedown Street \nMan Smart (Woman Smarter) ->\nDark Star ->\nDrums ->\nSpace ->\nThe Other One ->\nStanding On The Moon ->\nTurn On Your Lovelight \n\nEncore\nU.S. Blues",
"notes": "*Matrix* \n\n----------------------------------------------------\nSBD:\n\nSBD>DAT>CDR\n\nCOMMENTS\nmissing BE Women, Bucket is missing the opening notes, glitch at 2:04 of Mexicali, glitch at 1:09 of Promised Land, glitch in U.S. Blues at 4:40\n\nEAC (secure mode with proper offsets),\nediting and shn conversion by Tony G (spreaddead@bellsouth.net)\n05/30/2002\n\n[It appears there is at least one (1) cassette generation in the lineage.]\n\n----------------------------------------------------\nAUD:\n\nFOB Digital Audience - 13th Row Center\nSchoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255\nTodd lent his gear to a friend for this evening. He did not tape this himself. based on tapertalk: set one was handheld,; set two he intended to run a stand DAT from collection of Todd Evans - todd@bluedakota.com\nDAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav\na **GEMS** production www.shnflac.net\nMay 2006\n \nEdited Adobe Audition 1.5\nDithered 48/44.1 w/gaussian noise and a slight noise-shaping in r8brain v1.9\nTracked in CDWav\nFlac Level8 in TLH SBE FREE\n\n*Amplitude Attenuated to 96.25%\n\n*various pops, glitches and crowd noises required individual hand editing to save your speakers;\nsome remain in ideal of least editing possible, especially in B.E.Women,\nwhere nothing i did seemed to better a few of the zips. \n\n*bird song patch with shnid 9757; thx to cwagenbach for the source\n\na **GEMS** production www.shnflac.net\n Finished Sunday, August 13, 2006\n **__**\n\n---------------------------------------------------\nThank you to Paul and Tony G. for the SBD transfer,\nand to Todd Evans and the **GEMS** production team for the AUD transfer.\n\nMatrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) \nOctober 7, 2008\n \n\nNotes:\n\n1) Cuts in the SBD between some songs, a momentary cut during Space and at the beginning of Bucket. Approximately two-minute cut in the AUD during the earlier portion of Bird Song.\n\n2) Occasional static, clicks, and/or pops. A loud click in Althea appears sound system related (the click is in both SBD and AUD).\n\n3) SBD source was about 0.8% fast.\n\n4) As there was some bass overload/distortion in the AUD, the low gain of the AUD was decreased a good amount, except in BE Women when only the AUD plays. This optimized the overall quality of the matrix, to my ears, and allowed certain aural dimensions of the sources to shine through better without tonal dissonance. \n\n5) Seamless show",
"runtime": "161:18.19",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1992-03-20.141785.sbd.miller.flac2496
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"sourceMeta": {
"description": "Set 1<br /><br />\nHell In A Bucket ><br />\nAlthea<br />\nThe Same Thing<br />\nBrown-Eyed Women<br />\nMexicali Blues ><br />\nMaggie's Farm<br />\nBird Song ><br />\nPromised Land<br /><br />\nSet 2<br /><br />\nShakedown Street ><br />\nWomen Are Smarter<br />\nDark Star ><br />\nDrums ><br />\nSpace ><br />\nThe Other One ><br />\nStanding On The Moon ><br />\nTurn On Your Love Light<br /><br />\nEncore:<br />\nU.S. Blues",
"notes": "Notes:\n-- Some vocal distortion in Brown Eyed Women\n-- This is a different mix than the official release\n-- Two sets of masters were used to make this show complete",
"runtime": "152:56.052",
"transferer": "Charlie Miller"
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording playdead:1992-03-20:47426
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Official releases
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Data for developers
This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.
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