Sep 28, 1993 at Boston Garden

identifier

gd1993-09-28.sbd.miller.79058.sbeok.flac16

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SBD -> Dat (48k)

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Dat (Sony D8) > Samplitude Professional v7.02 > FLAC

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compendium_quality_grade

—

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—

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download_count

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review_count

4

mean_rating

4.33

shnid

79058

relisten_url

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etree_url

https://etreedb.org/shn/79058

content_url

https://archive.org/details/gd1993-09-28.sbd.miller.79058.sbeok.flac16

Full served wire node (JSON)

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      "description": "Set 1:\nd1t01 - Tuning\nd1t02 - Touch Of Grey ->\nd1t03 - Greatest Story Ever Told\nd1t04 - Row Jimmy\nd1t05 - New Minglewood Blues\nd1t06 - So Many Roads\nd1t07 - When I Paint My Masterpiece\nd1t08 - Bird Song\n\nSet 2:\nd2t01 - Tuning\nd2t02 - China Cat Sunflower ->\nd2t03 - I Know You Rider\nd2t04 - Samson And Delilah\nd2t05 - Uncle John's Band ->\nd2t06 - Playing In The Band ->\nd2t07 - Drums ->\nd3t01 - Space ->\nd3t02 - Attics Of My Life ->\nd3t03 - Throwing Stones ->\nd3t04 - Good Lovin'\n\nEncore:\nd3t05 - U.S. Blues",
      "notes": "Notes:\n-- Set 2 is seamless",
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identifier

gd1993-09-28.125382.mtx.eichorn.sbeok.t-flac16

source_type

Three-source matrix using the following sources. (1) SBD -> Dat (48k) -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (2) Schoeps (unknown model/ps) > D7 @48k; Transfered by Marc Pujol 9/25/2002 Source DAT from Dave Minor via Matt Vernon. (3) Neumann Shotguns > DAT; Tapes provided by Tom and Roger, Conversion by Chris Larson; Upgrade in circulation

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Three-source matrix using the following sources. (1) SBD > Dat (48k) > Samplitude Professional v7.02 > FLAC; All Transfers and Mastering By Charlie Miller. (2) Schoeps (unknown model/ps) > D7 @48k; Transfered by Marc Pujol 9/25/2002 Source DAT from Dave Minor via Matt Vernon. (3) Neumann Shotguns > DAT; Tapes provided by Tom and Roger, Conversion by Chris Larson; <a href="http://db.etree.org/shn/125461" > Upgrade</a > in circulation

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relisten_url

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etree_url

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content_url

https://archive.org/details/gd1993-09-28.125382.mtx.eichorn.sbeok.t-flac16

Full served wire node (JSON)

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      "notes": "General Notes:\n\n\n- Thanks go to everyone who worked on and made available the sources used in this matrix.  Obviously, this project would have been impossible without their prior efforts.\n\n\n- Both sets are seamless.\n\n\n- So Many Roads.\n\n\n\n\nTechnical Notes:\n\n\n- I cleaned up a few imperfections in the SBD source using Izotope RX 2 Advanced.\n\n\n- I lowered the gain of the Larsen source by 4dB, from the beginning of Set 1 through the opening of \"Greatest Story,\" at which point it seems that the taper turned the input down.\n\n\n- I remastered the SBD and the AUD sources individually, prior to combining them. The files were remastered and mixed in Logic Pro 9.  They were split in WaveLab LE 7.  SBE's were fixed using Trader's Little Helper.\n\n\n- Speed correction (using Izotope Radius in Logic Pro 9):\n\nPujol AUD: -0.075% (speed) / -1 cent (pitch)\nLarsen AUD: -0.037% (speed)\n\nMore fine-grained syncing was done manually.\n\n\n- There are several spots during the show at which the SBD and the AUD sources differ in more or less dramatic ways.  It seems that some processing was done to the signal coming from the SBD after it was sent to the tape but before it was sent to the speakers.  These include: the exploding bass drums at the end of \"Touch of Grey\" and the beginning of \"Greatest Story\" on the AUD copies.  The most significant spot occurs toward the end of \"Row Jimmy\": on both of the AUD sources, some sort of reverb is suddenly applied to the vocals, or perhaps the entire mix.  (You can hear the crowd react to it.)  This change is not on the SBD.  The result, as far as this matrix goes, is that it sounds as though the SBD and one or more of the AUD sources have gone out of sync.  But they have not.  In other words, the matrix is in places more echo-y than I would like, but I know of no way to get rid of the problem, short of cutting the AUD sources entirely, which would obviously defeat my purpose.\n\n\n- During \"Throwing Stones,\" two seconds are missing from the Pujol source.  There is no break; the source simply skips ahead two seconds.  I fixed the problem.\n\n\n\nRoger Eichorn\nreichorn@gmail.com\nAugust 11, 2013",
      "runtime": "163:37.24",
      "transferer": "Matrix by Roger Eichorn"
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identifier

gd1993-09-28.172811.mtx.eichorn2025.143772.t-flac1644

source_type

2-Source Matrix by RE Eichorn (July 2025)

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download_count

498

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172811

relisten_url

https://relisten.net/grateful-dead/1993/09/28?source=3890871

etree_url

https://etreedb.org/shn/172811

content_url

https://archive.org/details/gd1993-09-28.172811.mtx.eichorn2025.143772.t-flac1644

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      "description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Touch Of Grey<br />Greatest Story Ever Told<br />Row Jimmy<br />New Minglewood Blues<br />So Many Roads<br />When I Paint My Masterpiece<br />Bird Song</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">China Cat Sunflower &gt;<br />I Know You Rider<br />Samson &amp; Delilah<br />Uncle John's Band &gt;<br />Playing In The Band &gt;<br />Drums &gt;<br />Space &gt;<br />Attics Of My Life &gt;<br />Throwing Stones &gt;<br />Good Lovin<br />U.S. Blues</span></div></div><div class=\"b1 set\"><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Vince Welnick - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
      "notes": "Back in 2013, in a fit of youthful enthusiasm, I released several (!) matrixes of this show. They are all garbage, with the possible exception of the final version, which is surprisingly listenable, to my ears. Even so, I believe this new matrix is superior to my old efforts in every way, and I'm releasing it now in an effort to atone for the sonic sins of my past.\n\nWhy is this matrix superior to my old attempts? The AUD source is newer and better; I have a much more efficient and effective method; and I know a lot more about mixing and mastering now than I did twelve years ago. Is this new matrix perfect? --No. But is it currently the best, most \"well-rounded\" source available for this show? --Yes, I believe it is.\n\nYour mileage may vary, of course. But I hope that anyone who finds their way to this matrix will enjoy it. A late-late-era show, but quite a good one, I think! The So Many Roads is the best ever, for my money, and I think the China Cat > Rider is the definitive late-late-era version.\n\n-- Thanks go to everyone responsible for making the sources used in this matrix and for making them available.\n\n-- I try to take a \"less is more\" approach when it comes to mastering (EQ and the like), but in the case of this show, I found that the SBD source was improved greatly by the use of what's called \"Dynamic EQ\" to tame some of the drums, specifically Billy's bass drum and Micky's aggressive toms. They're much less overpowering now, but without sacrificing the punch of Phil's bass or the power of the low-end in general, I think. I hope you agree.\n\n-- A curiosity: I always assumed that '93 SBD recordings simply replicated the mix that was sent to the sound system at the venue, but apparently that's not the case. About 3 minutes into \"Minglewood,\" Vince launches into an organ solo that's almost entirely absent from the SBD, but can be heard clearly (at least at first) on the AUD source.",
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