Grateful Dead
Mar 4, 1994 at Blockbuster Desert Sky Pavilion
Phoenix, AZ
Setlist via JerryBase
Set 1
Mississippi Half Step, Little Red Rooster, Ramble On Rose, Me And My Uncle1 > Big River12, Bird Song > Promised Land
Set 2
Iko Iko, Looks Like Rain3, Crazy Fingers > Estimated Prophet > Drums > Space > I Need A Miracle > Black Peter > Throwing Stones
Encore
Writeups
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Related videos
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Tapes
- SBDCD-RStream OnlyTaper unknownSBD> ?> CDR> EAC> FLACListenArchive.orgRelistenetree33697TransferC. Allen
- SBDDATStream OnlyTaper unknownDSBD --> DAT --> CDRListenArchive.orgRelistenetree8330
- SBDDATStream OnlyTaper unknownSBD > DAT 44.1 kHzListenArchive.orgRelistenetree152011TransferFresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] Track FLAC and Pack by Mark Goldey
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1994-03-04-blockbuster-desert-sky-pavilion-phoenix
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"notes": "Notes:\nThis recording has the same genealogy as the 3/5/94 I recently posted. In the summer of 1999, \nDick Latvala cloned the March 4-6 1994 run for a guy who hosted a Grateful Dead-themed radio show; \nI obtained copies from the radio host.\n\nAs with the 3/5 and 3/6 I seeded, there are ZERO fades or time alterations to this recording. From \nfirst note to last, this is exactly what the boys played, in real time. \n\n\nComments:\n\n1) THAT ANNOYING FIRST SET \"PISH PISSSSH....PISH...PISSSSSHHHHH\" NOISE! I don't know what was causing \nthat, but it's pretty much present throughout the first set. Because the music drowns the noise out, \nI inserted track markers between each song, so you can choose to preserve the natural flow between songs \n(and hear the pish pish noise) or FFW to the next song. All I ask is that if and when you burn this \nshow for others, you preserve the integrity of the recording and keep each track, pish pish noise and \nall, in the recording. \n\n2) Second set levels were a HUGE problem. My original discs had \"Iko\" thru \"Drums\" on one disc, and \n\"Space\" thru the encore on another disc. Well, similar to 3/6/94, the levels didn't match from one \ndisc to another, except the volume was intensely dissimilar. Whereas it was only a 20% bump on 3/6 \nand 3/5, \"Space\" thru the encore needed damn near a 40% boost. \n\n3) Track markers were pretty much accurate, except for the aforementioned insertion of tracks to give \nthe listener the option of bypassing the dread Pish Pish noise. I did insert a section into \"Space\" \nthat bears scrutiny. Instead of the traditional \"Drums\" --> \"Space\" --> \"Jerry Ballad\" so familiar \nto the 90's, I broke \"Space\" into two separate tracks. There is a very interesting jam (here, called \"MIDI Space\") \nthat I felt should be given its own track.",
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"description": "<div>\n<div class=\"b1 set\">\n<b>Set I</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Mississippi Half Step Uptown Toodleloo<br />\nLittle Red Rooster<br />\nRamble On Rose<br />\nMe & My Uncle ><br />\nBig River<br />\nBird Song<br />\nPromised Land</span>\n </div>\n</div>\n\n<div class=\"b2 set\">\n<b>Set II</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Iko Iko<br />\nLooks Like Rain<br />\nCrazy Fingers ><br />\nEstimated Prophet ><br />\nDrums ><br />\nSpace ><br />\nI Need A Miracle ><br />\nBlack Peter ><br />\nThrowing Stones<br />\nU.S. Blues</span></div>\n</div>\n\n<div class=\"b1 set\">\n<br /><div class=\"set_info\">\n <span title=\"Click to edit\"><br /></span></div>\n</div>\n\n<div class=\"b2 set\">\n<b>Comment</b>\n <div class=\"set_info\">\n <span title=\"Click to edit\">Jerry Garcia - Guitar<br />\nBob Weir - Guitar<br />\nVince Welnick - Keyboards<br />\nPhil Lesh - Bass<br />\nBill Kreutzmann - Drums<br />\nMickey Hart - Drums</span>\n </div>\n</div>\n\n</div>",
"notes": "This recording has occasional dropouts in the left channel, accompanied by muffled audio on the right. It's mostly noticeable at the beginning of songs. It's just how it is.\n\nDan Healy's Last Shows as the GD Soundman.\nJIm Blackwood and John Bradford interviewed him on March 5 before the show.\nThe audio circulates and is transcribed as well.\nhttps://www.angelfire.com/fl/goodbear/healy-interview.html\n\nA \"best of\" musically, as well as extended portions of the interview, was broadcast on 91.3 FM KXCI Tucson on Dead Air, March 7, 2021 - hosted by Jim Blackwood and Jamie Waddell. https://spinitron.com/KXCI/pl/12762487/Dead-Air\n\noriginally shared at www.shnflac.net March 2021",
"transferer": "Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020] Track FLAC and Pack by Mark Goldey",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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