Grateful Dead
Mar 21, 1994 at Richfield Coliseum
Richfield, OHSpring 1994
Setlist via JerryBase
Set 1
Greatest Story Ever Told > Bertha, The Same Thing, Peggy-O, Queen Jane Approximately, West L.A. Fadeaway1, Eternity > Tennessee Jed
Set 2
Picasso Moon > New Speedway Boogie2 > Victim Or The Crime > He's Gone > Matilda34 > Drums > Space > Turn On Your Lovelight > Stella Blue > Turn On Your Lovelight
Encore
Writeups
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Related videos
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Tapes
- SBDDATStream OnlyTaper unknownSBD > DAT > CDR > SHNv3ListenArchive.orgRelistenetree6258
- MatrixDATFront of BoardFront of BoardStream OnlyTaper unknownDAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger EichornListenArchive.orgRelistenetree125739TransferMatrix by Roger Eichorn
- SBDDATStream OnlyTaper unknownCassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24ListenArchive.orgRelistenetree158160TransferAll Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 15, 2022
Tape diagnostics
Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.
API endpoint /api/v1/shows/1994-03-21-richfield-coliseum-richfield
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"description": "Set 1\n\nGreatest Story Ever Told-> Bertha, The Same Thing, Peggy-O, Queen Jane Approximately, West L.A. Fadeaway, Eternity, Tennessee Jed\n\nSet 2\n\nPicasso Moon-> New Speedway Boogie, Victim Or The Crime-> He's Gone->Matilda Jam-> Drums-> Space-> Turn On Your Love Light-> Stella Blue-> Turn On Your Love Light, E: Liberty",
"notes": "General Notes:\n\n\n- Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts.\n\n- Both sets are seamless.\n\n- Stella Blue, Stella Blue, STELLA BLUE!!!\n\n(The first set is pretty good, too. \"Bertha, Bertha -- OH MY GOD!\" Hilarious. We learn the rest of the story after the song: apparently he'd been on tour for some time and had never heard a Bertha. Good for him!)\n\n\n\nTechnical Notes:\n\n\n- The sources were remastered and mixed in Logic Pro 9. A bunch of clean-up was done, at various stages, using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Conversions to and from .flac and .wav were done using dbPowerAmp.\n\n- The SBD source is missing a small portion of \"Drums\" as well as the encore.\n\n- The SBD source is weird. The first set is nearly perfect (esp. in terms of speed), but the second set has numerous problems. First of all, it's slow -- indeed, it's progressively slow as the set goes on. It starts out around 1% slow and ends up about 2% slow. This might not sound like a lot, but it is.\n\nI mention this especially because the undisputed highlight of the show is the Stella Blue. But the Stella Blue appears late in the second set, which means that the SBD source is nearly 2% slow during that track. In other words, any of you out there who have, like me, listened to this version of Stella many, many times, we've always been hearing it slow. Now, unless we have perfect pitch, we've never listened to it and thought, \"Boy, that sure is slow!\" But it sounds *even better* heard at the proper speed, whether or not you have perfect pitch.\n\nFor this reason alone, I think this matrix is a serious upgrade over the SBD copy.\n\n- Another problem with the SBD: the second set is noisy. There's harsh hiss and crackling throughout. It's especially noticeable during any quiet parts. I tried to tame it where I could, but it seems that these problems came out of the SBD that night (since you can hear them in the AUD copy). So they're not artifacts of a faulty transfer, and they're pretty much impossible to get rid of entirely (if you're me, at least).\n\n- For the first set, I slowed the AUD source down by 0.01% using the iZotope Radius algorithm. For the second set, I split it into small sections and speed- and pitch-corrected them all individually. Further fine-tune syncing was done in Logic Pro 9.\n\n\nRoger Eichorn\nreichorn@gmail.com\nSeptember 23, 2013",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
Recording gd1994-03-21.158160.sbd.miller.flac2448
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"description": "<div class=\"b1 set\"><span>Set I</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Greatest Story Ever Told ><br />Bertha<br />The Same Thing<br />Peggy-O<br />Queen Jane Approximately<br />West L.A. Fadeaway<br />Eternity<br />Tennessee Jed</span></div></div><div class=\"b2 set\"><span>Set II</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\" style=\"background-image:none;\">Picasso Moon ><br />New Speedway Boogie<br />Victim Or The Crime ><br />He's Gone ><br />Drums ><br />Space ><br />Turn On Your Lovelight ><br />Stella Blue ><br />Turn On Your Lovelight<br />Liberty</span></div></div><div class=\"b1 set\"><br /><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\"> </span></div></div><div class=\"b2 set\"><span>Comment</span><div class=\"set_info\" style=\"padding-left:1em;\"><span title=\"Click to edit\">Jerry Garcia - Guitar<br />Bob Weir - Guitar<br />Vince Welnick - Keyboards<br />Phil Lesh - Bass<br />Bill Kreutzmann - Drums<br />Mickey Hart - Drums</span></div></div>",
"notes": "Notes:\n-- Tapes made for Vince Welnick by Dick Latvala\n-- Thanks to David Beckwith for supplying the tapes\n-- Thanks to Mike Babyak for his input on this project\n-- Thanks to Scott Clugston for doing the pitch correction",
"runtime": "158:18.794",
"transferer": "All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net September 15, 2022",
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}Archive.org metadata (on the wire)
The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.
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