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  • The Grateful Dead Song Graph
    Dead EssaysJul 19, 2011
    We have something different for this guest post: “Dr. Beechwood” has created a very nice chart and accompanying essay on the Dead’s origina...

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Tapes

  • Source unknownDATTaper unknownNeumann KM140's > DAT Master > Tascam CD-RW700 > CD > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; tracked for 2x80
    Discs
    2
    SHN discs
    2
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48; the original version of this source had errors with s1t09 and s2t09
    Taper
    John Ammons & Jeff Zimmer

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1994-12-08-oakland-alameda-county-coliseum-arena-oakland

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relisten_url
https://relisten.net/grateful-dead/1994/12/08?source=3860552
etree_url
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content_url
https://archive.org/details/gd94-12-08.neumann.seff.5611.sbeok.shnf

Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

Recording gd1994-12-08.139122.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac16
identifier
gd1994-12-08.139122.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac16
source_type
flac16/48kHz ; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC. Mics in hair; John Ammons
lineage
DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48; the original version of this source had errors with s1t09 and s2t09
lineage_chain
DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48; the original version of this source had errors with s1t09 and s2t09
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dat
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relisten_url
https://relisten.net/grateful-dead/1994/12/08?source=3891906
etree_url
https://etreedb.org/shn/139122
content_url
https://archive.org/details/gd1994-12-08.139122.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac16

Full served wire node (JSON)

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    "lineageChain": "DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48; the original version of this source had errors with s1t09 and s2t09",
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      "description": "Set 1<br /><br />\nBertha, Spoonful, Jack-A-Roe, It's All Over Now, So Many Roads, Eternity, Don't Ease Me In<br /><br />\nSet 2<br /><br />\nChina Cat Sunflower-> I Know You Rider, Looks Like Rain, Cumberland Blues, Corinna-> Drums-> Space-> The Other One-> Lucy In The Sky With Diamonds-> Around & Around, E: It's All Over Now Baby Blue",
      "notes": "notes:\n- The Aqua Net Saga (these recording won't flake or build up while providing lasting control.)\n- By the final two Oakland runs (Dec. '94 and Feb. 95) someone had gotten a massive bug up their ass about FOB taping.  The bust circulated early and often.  It was if as they gave security staff an edict to do nothing else but sweep for tapers. Why?  The band was on life support, and the PA system, at least in the sweet spot, was a shell of its former self. But no matter.  If one was so much as standing still and wearing a hat they were bust fodder.  Or if, heaven  forbid, one was standing next to a pile of back packs then the pack might become subject to a quick search.  In order to come out with recordings of these shows, we resorted to extraordinary measures.\n\nJeff Zimmer, a buddy of mine who worked in Cuppertino at Apple Computer, had long hair.  Typically very politely pulled back in a pony tail. But he was able to fluff it out, rock star style, such the the Schoeps capsules were invisible inside his mane.  So that's great, but what about the power supply and the deck?  Wearing them would be risky, and a bag adjacent to his leg would be even riskier. So he came up with the concept of cutting holes in the soles of a pair of old high tops.  The cables ran down through his shoes, and he made sure to stand where two blankets came together but with no bag or belongings anywhere near his feet.  The cables ran to the back of the blanket where I ran the deck. \n\nEven so, there is an attempted bust that's quite audible during Lucy in the Sky.  As I recall, after deciding he was clean, security says, \"sorry I thought you were someone else.\"   - John.\n\nfix:\n- s1t09 somehow got switched to s2t09, causing TOO was masquerading as DEMI.\n- if you already dl'd this, all you need is s1t09 & your good to go.  Sorry bout that.",
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}

Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

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