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  • Source unknownDATTaper unknownAT 4071 > DAT @48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction)
    Discs
    3
    SHN discs
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  • Front of BoardDATFront of BoardFront of BoardTaper unknownflac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DATTransfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)Extract Wav-> Flac Level 8-> Tagged (16/44.1)Transfers by Pete Ebel
  • Front of BoardDATFront of BoardFront of BoardTaper unknownDAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
    Taper
    John Ammons & Jeff Zimmer

Tape diagnostics

Every field Long Strange Click carries for each recording on this show: the normalized DB columns the tape lockup is composed from, the full served wire node, and - on demand - the rich archive.org /metadata envelope Long Strange Click stores for the recording.

API endpoint /api/v1/shows/1995-02-24-oakland-alameda-county-coliseum-arena-oakland

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Archive.org metadata (on the wire)

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Full served wire node (JSON)

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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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      "notes": "notes:\n- * Weir on acoustic\n- The second set had some sporadic channel issues that has been rectified.\n- Outstanding percussion session\n- The Aqua Net Saga (these recording won't flake)\nBy the final two Oakland runs (Dec. '94 and Feb. 95) someone had gotten a massive bug up their ass about FOB taping.  The bust circulated early and often.  It was if as they gave security staff an edict to do nothing else but sweep for tapers. Why?  The band was on life support, and the PA system, at least in the sweet spot, was a shell of its former self. But no matter.  If one was so much as standing still and wearing a hat they were bust fodder.  Or if, heaven  forbid, one was standing next to a pile of back packs then the pack might become subject to a quick search.  In order to come out with recordings of these shows, we resorted to extraordinary measures.\n\nJeff Zimmer, a buddy of mine who worked in Cuppertino at Apple Computer, had long hair.  Typically very politely pulled back in a pony tail. But he was able to fluff it out, rock star style, such the the Schoeps capsules were invisible inside his mane.  So that's great, but what about the power supply and the deck?  Wearing them would be risky, and a bag adjacent to his leg would be even riskier. So he came up with the concept of cutting holes in the soles of a pair of old high tops.  The cables ran down through his shoes, and he made sure to stand where two blankets came together but with no bag or belongings anywhere near his feet.  The cables ran to the back of the blanket where I ran the deck.  \t\t\t\t\t\t\t\t\t\t- John",
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Archive.org metadata (on the wire)

The rich archive.org /metadata envelope Long Strange Click stores for this recording - a verbatim mirror of archive.org's own public metadata (inner metadata block, community reviews, and a file summary). Loaded on demand.

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Data for developers

This show as Schema.org JSON-LD (MusicEvent) - the same cross-reference, machine-readable.